Ratings44
Average rating3.7
AN INSTANT NEW YORK TIMES BESTSELLER “ONE OF THE MOST VISIONARY, ORIGINAL, AND QUIETLY INFLUENTIAL WRITERS CURRENTLY WORKING”* returns with a sharply imagined follow-up to the New York Times bestselling The Peripheral. William Gibson has trained his eye on the future for decades, ever since coining the term “cyberspace” and then popularizing it in his classic speculative novel Neuromancer in the early 1980s. Cory Doctorow raved that The Peripheral is “spectacular, a piece of trenchant, far-future speculation that features all the eyeball kicks of Neuromancer.” Now Gibson is back with Agency—a science fiction thriller heavily influenced by our most current events. Verity Jane, gifted app whisperer, takes a job as the beta tester for a new product: a digital assistant, accessed through a pair of ordinary-looking glasses. “Eunice,” the disarmingly human AI in the glasses, manifests a face, a fragmentary past, and a canny grasp of combat strategy. Realizing that her cryptic new employers don’t yet know how powerful and valuable Eunice is, Verity instinctively decides that it’s best they don’t. Meanwhile, a century ahead in London, in a different time line entirely, Wilf Netherton works amid plutocrats and plunderers, survivors of the slow and steady apocalypse known as the jackpot. His boss, the enigmatic Ainsley Lowbeer, can look into alternate pasts and nudge their ultimate directions. Verity and Eunice are her current project. Wilf can see what Verity and Eunice can’t: their own version of the jackpot, just around the corner, and the roles they both may play in it. *The Boston Globe
Featured Series
2 primary booksJackpot is a 2-book series with 2 primary works first released in 1891 with contributions by William Gibson.
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It would have been a vastly superior book if Gibson had spent less time on Twitter and Google Maps as he was writing it.
I am a Gibson loyalist. I have read almost everything he has ever written and will plough through his most meandering stories but The Agency was too much. Gibson tried to cram too many disparate ideas into one book. The first quarter of the book with the super-intelligent AI was fascinating. Then, the story turns abruptly back to the time traveling rigamarole that started in the Peripheral and about 47 characters from the current time and the future are introduced. And the slog begins.
Gibson, I love your writing style and ideas but too much got crammed into this book to the point that I had to ask “what is the point? Where is this story going?” At a certain point, I was just waiting for it to be over. How sad is that?