Airframe

This book nosed up, dived down and nosed up again. A no nonsense, info-dense sci-fi. I couldn't care much about the characters, but it definitely had my heart racing.
Apart from the thriller elements, the criticism of modern media, was to the point. I found myself smile-nodding at every sentence.

Talking to a reporter these days was like a deadly chess match; you had to think several steps ahead; you had to imagine all the possible ways a reporter might distort your statement. The atmosphere was relentlessly adversarial.

But now reporters came to the story with the lead fixed in their minds; they saw their job as proving what they already knew. They didn't want information so much as evidence of villainy. In this mode, they were openly skeptical of your point of view, since they assumed you were just being evasive. They proceeded from a presumption of universal guilt, in an atmosphere of muted hostility and suspicion.

There are a lot of naysayers here, but I really liked this book. It's a thriller novel with suitably short chapters about the problems of an aircraft company, Norton, as it tries to deal with the media, business partners, engineering problems, the mysterious provenance of an accident, and many others. It doesn't sound immediately enticing, but I enjoyed this book more than Sphere - it felt somehow more tangible and the characters more convincing.

This was not actually my first read, but the last time was sufficiently long ago that I couldn't remember any plot details. The story is largely presented from the viewpoints of two characters - Casey Singleton, a press officer for Norton tasked along with others with finding out what happened on a flight incident which left many passengers injured and a few killed, and Jennifer Malone, reporter for Newsline, looking to tear apart Norton for a 15 minute story. Events unfold and Crichton is able to push his message that the media is getting too powerful, while maintaining tension and keeping me awake (I read this in one sitting!)