Ratings21
Average rating4
“Outstanding…Amid a space opera resurgence, Bear’s novel sets the bar high.” —Publishers Weekly (starred review) A space salvager and her partner make the discovery of a lifetime that just might change the universe in this wild, big-ideas space opera from Hugo Award-winning author Elizabeth Bear. Halmey Dz and her partner Connla Kurucz are salvage operators, living just on the inside of the law...usually. Theirs is the perilous and marginal existence—with barely enough chance of striking it fantastically big—just once—to keep them coming back for more. They pilot their tiny ship into the scars left by unsuccessful White Transitions, searching for the relics of lost human and alien vessels. But when they make a shocking discovery about an alien species that has been long thought dead, it may be the thing that could tip the perilous peace mankind has found into full-out war. Energetic and electrifying, Ancestral Night is a dazzling space opera, sure to delight fans of Alastair Reynolds, Iain M. Banks, and Peter F. Hamilton—“Bear's ability to create breathtaking variations on ancient themes and make them new and brilliant is, perhaps, unparalleled in the genre” (Library Journal, starred review).
Reviews with the most likes.
3.0 out of 5 stars
My first foray into Elizabeth Bear's work was her excellent 2017 fantasy novel The Stone in the Skull, which I enjoyed immensely. I knew that Bear is known for writing in a multitude of genres, but I wasn't prepared for the genre whiplash I experienced when I picked up the space opera Ancestral Night. The book follows Haimey Dz, a space salvager who uncovers a piece of ancient alien technology that, in the wrong hands, could be catastrophic for the galaxy at large. ...lo and behold, space pirates are hot on Haimey's trail.
This is really sharp, smart science fiction that goes deep on the details and philosophy of its world and Haimey herself. Bear's vision for the future of space is so intricate and sophisticated that a lot of it flew way over my head. Tonally, it's quite cold and calculated, which made it difficult for me to form lasting emotional connections to the characters. I enjoyed learning about Haimey's backstory and witnessing her connection to her shipmates, but those moments of humanity seemed fleeting. I think the plot description makes this sound like an exciting space adventure, but I found it to be quite slow, contemplative, and unevenly-paced overall. The prose is dense and difficult to penetrate at times, with many of the scientific elements pushing well beyond my realm of understanding.
I could certainly see this winning some awards because it really feels like next-level science fiction and more advanced than most of what I've read in the genre. Personally, I wasn't able to connect with the story, but I come away from the reading experience even more impressed with Bear's skill as a writer and would not be surprised if others enjoyed this more than I did.
My thanks to Edelweiss and the publisher for an advanced reader copy in exchange for an honest review.
See this review and others at The Speculative Shelf.
A Perfect Far Future SF Tale
After feeling that Becky Chambers' Space Adventure books felt a little too soft and shallow, this story filled the void I didn't know existed.
The philosophical concepts both personal and political were fantastically fleshed out: free will, identity, what a perfect society would be, how much government control is too much. All these concepts were pushed to the edge, but in a way that never felt preachy.
At the same time, the story was excellent and gripping. I never felt like I knew what would happen next, and the stakes kept growing in unpredictable ways. It really blew me away.
I'm a big SF fan and this is possibly my new favourite book. I've already bought the sequel, and may just have to become an Elizabeth Bear completest.
I went into this looking for a fun sci-fi romp, and instead got some philosophical navel gazing on the nature of intelligent life, one woman working through her cult upbringing baggage, and a general feeling like this book was written with a purpose in mind and directed at somebody specific, rather than to tell a story to a general audience.
Haimey Dz is a salvage mechanic, part of a crew of two (plus an AI, plus two cats) who plumb the depths of white space looking for derelict ships to recover and sell off. One of their salvage trips goes awry, however, when Haimey inadvertently takes on an alien symbiote that ends up augmenting her sense of space around her. Despite wanting nothing to do with this alien taking up residence under her skin, Haimey finds herself pursued by people intent on taking it from her. Things happen, and she finds allies in entirely unexpected places to get her out of the mess she's fallen into.
The writeup makes it sound interesting, and it was for about the first half of the book. Then we get a large center chunk dedicated to Haimey discovering that her childhood upbringing in a cult was somewhat of a lie, and her coming to terms with what this means. We also get quite a bit of discussion about what it means to be free in a society governed by sci-fi dictators, and a brief romance fling awkwardly shoehorned in to round things out. Haimey's inner monologue does most of the heavy lifting of the story, which gets a little tedious and boring after a while. I also felt like the plot thread didn't go anywhere, nor was anything really resolved at the end to any degree.
It just felt like a disconnected mess to me by the end, which was a huge disappointment to me.
Series
2 primary booksWhite Space is a 2-book series with 2 primary works first released in 2019 with contributions by Elizabeth Bear.