Art in the Blood
2015 • 300 pages

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15

2.5/5. This started off pretty decent and an enjoyable Sherlock Holmes spin-off by a contemporary modern author but as the book progressed, I found it becoming weirder and weirder. At the end, I don't know if I could recommend it at all.

For one, Sherlock Holmes in this one seems oddly more intense than he really is in the canon. He also makes a lot more mistakes, which cost the lives of at least 2 characters, and only arrives at the solution apparently just before the final reveal. He even gets himself caught by the villainous magistrate just because he was so absorbed or engrossed by his examination of a body? It just seems so uncharacteristically careless.

A lot of things also seemed to come together too conveniently and unrealistically. When Holmes loses a lot of blood after being actually tortured by the said villainous magistrate, Watson arrives in the nick of time to save him. Imagine if Watson had actually done as what both Holmes and Mycroft had told him to do and stayed in London! Holmes apparently is so much on the verge of death that Watson agrees to do an untested and unscientific method of blood transfusion directly from person to person, using himself as a donor. Despite how dangerous this method is (which Watson acknowledges as much to underline how critical Holmes's condition wad and that they were at last resorts), absolutely nothing happens to either Watson or Holmes after this procedure in terms of side effects. In fact, Holmes is quite literally almost immediately better and he sets off with his usual energy to continue on the case within 15 minutes, with some help from cocaine.

And that's my other issue with this book. The book draws a lot of attention to Holmes's cocaine habit. While this is canon, I didn't like how it seemed to be used almost like a device to “dramatize” the book in a way. It was even stranger still when Holmes used cocaine in the above instance almost like it was some magic substance that gave him superhuman powers. Watson talks about how it exacted a cost on Holmes but we never really quite see how ugly it can get, so the net effect was that the narrative almost felt like it was glamourizing cocaine use a bit.

Right at the end, we find out that Holmes has somehow managed to kick his cocaine habit by... mindfulness. I am myself a proponent of mindfulness but I'm really not sure how much it would help if used as the sole method by which someone tried to get over a cocaine addiction. It almost felt like it was trivializing the problem and struggles of drug addiction in a way. Plus, did mindfulness as a concept even exist back in the Victorian/Edwardian era? It was just such a bizarre way to wrap things up.

So after Holmes gets tortured within an inch of his life, gets miraculously revived back to normal with a questionable blood transfusion and cocaine, he goes on to reveal the villains of the piece and immediately after gets unnecessarily squashed by a falling statue which breaks his leg. After all this, he still somehow survives relatively unscathed after a period of rest and relaxation, and of course mindfulness. It's just so bizarre how many accidents and misfortunes befall Holmes in this story.

This whole story kept me going because it almost felt like a train wreck. It wasn't hideously bad but there were just so many bizarre incidents, overcontrived or convenient plot devices, and anachronisms that I was almost mesmerized.

August 29, 2022Report this review