Artifact Space
Ratings16
Average rating4.5
15
Ratings16
Average rating4.5
Out in the darkness of space, something is targeting the Greatships. With their vast cargo holds and a crew that could fill a city, the Greatships are the lifeblood of human occupied space, transporting an unimaginable volume - and value - of goods from City, the greatest human orbital, all the way to Tradepoint at the other, to trade for xenoglas with an unknowable alien species. It has always been Marca Nbaro's dream to achieve the near-impossible: escape her upbringing and venture into space. All it took, to make her way onto the crew of the Greatship Athens was thousands of hours in simulators, dedication, and pawning or selling every scrap of her old life in order to forge a new one. But though she's made her way onboard with faked papers, leaving her old life - and scandals - behind isn't so easy. She may have just combined all the dangers of her former life, with all the perils of the new . . .
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Epic Space Opera does not get much more epic than this. We have giant trade spaceships, galactic alliances, criminal underworlds and alien threats all rolled into a very fun and digestible package. Miles Cameron has made his name on fantasy and historical fiction, but this first dive into SciFi is mightily impressive. His roots in historical reenactment shine through in his adaptation of historical ideas (the trade route we follow almost reads like an ancient trade route around the Mediterranean, just set in space) and naming the ship Athens is obviously a nod to his other interests. His understanding of watch keeping and proper military practices lend an air of believability to the story too. I have not seen the world ship idea done better than this though - the ship and the crew are definitely living, breathing entities that drive the story along.
Our lead character is the fallen scion of an ancient family - she had been brought up in an abusive orphanage with shady links to the underworld. For her this voyage is one of escape from her old life. Her adventures are what drives the story forward - learning the ropes of an officer position on board this mighty vessel. I have seen the story likened to ‘hornblower in space' and I can get that - it has a lot of the feel of that, but with the scifi setting
Overall, this is a masterful take on the genre - fun, fresh and enjoyable
I was pleased to receive an uncorrected proof.
I have been a fan of space operas for many years and this is one of the best that I have ever read. It's on a par with some of my favourite authors; Iain M Banks, Alistair Reynolds, John Scalzi.
Enter the world of Marca Nbara as she flees the Orphanage to become a junior officer aboard the massive, hundreds of years old, Greatship, Athens.
A roller-coaster journey across the Galaxy on a routine trading mission, that suddenly becomes fraught with danger and enemies.
Miles Cameron has created a unique, believable, universe. Great characters and their relationships are core to making this story enthralling.
I can't say more without giving too much away. Bring on the next volume of the story.
Just buy it!
Artifact Space by Miles Cameron
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I listened to this as an audible book. It was a first-rate science fiction space opera. Author Miles Cameron has done a phenomenal job of thinking through his fictional universe and fleshing it out in a way that makes it interesting and entertaining. As I was listening to this book, I was constantly put in mind to its similarities to David Feintuch's “Seafort Saga” in telling the story of a midshipman in a future navy who seems destined for great things. That is not to say that this book was derivative in any way, but, rather, that it stayed true to the traditions of this kind of story.
In this case, the navy belongs to the Directorate of Human Corporations (the “DHC.”) The DHC seems to be one of several human political entities in human space. The backbone of the DHC navy are the “great ships” that can carry cargo and make long jumps through “artifact space” to other star systems. These great ships are huge and as the story opens, someone is killing them off.
The focal character is Marca Nbarro, who is an expelled student from an orphanage operated by the DHC in the underside of a space-based city. The decks are stacked against Marca in many ways, not the least of which is that the head of the orphanage wants to prevent her from joining the DHC navy, which Marca is determined to do no matter what gets in her way. Marca does join the navy and is able to follow the path of success and luck blazed by Horatio Hornblower and Nicholas Seafort and others.
Marca is, of course, phenomenally lucky, but that does not make her a “Mary Sue” character any more than Hornblower is a Mary Sue. The book puts Marca into desperate situations and then follows her as she makes realistic decisions to extricate herself. This is just good, fun, and engaging writing.
The first chapter is a fairly difficult introduction since the author throws a lot of jargon and concepts at us before we know what is going on. After the first chapter, things settle down and we learn the backstory of Cameron's setting. It turns out that the economy of the DHC is based on the traffic of “Xenoglass,” which is manufactured by aliens at the tail end of the DHC navy's commercial caravan route. As we move through the jumps, and the crew of Marca's ship, the Athens, find themselves beset by external and internal enemies, we come to understand that there may be other aliens in the game, who are pulling the strings on the foreign enemies and DHC traitors.
This chapter is the first installment of what may be a trilogy (or series.) However, it ended on a logical point, albeit a cliffhanger. I don't begrudge this book for not being complete in itself because Cameron's universe is so well crafted that I want to see more of it.
