Ratings16
Average rating3.6
What would happen if Cli-fi and Solarpunk had a baby, which was then raised by Police Procedural?
That's the best way I can describe Bannerless. I was looking for something about a climate apocalypse that wasn't too depressing, and miraculously this presented itself. It's soon enough after The Fall to have compelling pathos, but long enough after to be optimistic. And the driving force of the story is a murder mystery pursued by the protagonist, a woman who fulfills the role of a federal agent in the new world.
That world is a weird blend of pre-industrial society and carefully curated digital-age know-how. Bards can make a living hoofing it from town to town, but Investigators can use a solar car to get to a crime scene. Villages are filled with the sounds of working looms and clucking chickens, while scientists carefully preserve the ability to make rudimentary antibiotics and antiseptics.
Oh, and birth control implants. Central to this story is the cultural practice of obligatory birth control, with households (extended families, not just couples anymore) able to earn a “banner” signifying their right to bear a child. Everyone is highly conscious of human interdependence and wary of imposing too much resource strain.
(I'm not sure I entirely buy that this would be a useful survival strategy, but hey, all bets are off when technology mostly lines up with Jane Austen while mores and knowledge are post 2010s, right?)
I found Enid a compelling character - I got invested in her relationships, her devotion to her job, and even her coming-of-age backstory (not usually my thing). The mystery pulled me along nicely while allowing glimpses of the world to add up to a coherent picture of the post-Fall world.