Blackwater: The Complete Saga

The main elements which made me curious about the Blackwater saga were mainly two: the incredible art style of the Italian publication, whose cover is so good that his creator is featured among the main comic convention here around; the suggestion made by Stephen Kings which says he loves this world and all the horror elements which composes it. When I was approaching the first book of this franchise I immediately felt thrilled, the same sensation you can try when you are going to a big event in your city, and the fact that the reduced dimensions of the new edition granted me to read it during my daily trips was that plus which increased the atmosphere of the moment. As soon as the story starts, we feel the flood happening because of the overflow of the Perdido River, and we make acquaintance with the mysterious Elinor Dammert...all the events evolve in Mary Shelley's like stuff. Because what I didn't know about Blackwater is that the gothic horror it purports to be is nothing else than a mix of lovecraftian weird events and family vicissitudes. In particular, the development of the Caskey's Family is built around the fight between two generations. The young one, polite and open-minded to news and people from outside the protagonist city and the old ones, ready to control others or accept facts only for their individual objectives. We enter an intricate web made of marriages, love affairs, threats and heritage problems, on the background of a racist town of the end of 19th Century. The entire representation of all the peculiar characteristics of that age are wonderful, granting the reader the curiosity around the intriguing destiny of every single figure, even the most secondary ones. As you can imagine reading these worlds, it seems really difficult to find, inside Blackwater, horror traits. Lots of the creepiest moments are linked with the true nature, shown at the very beginning of the book, of one of the center of the narrative, a powerful lady who doesn't display herself completely, while weaving her plans and killing around in the most brutal way. A villain which is incredible in premises, but then the scenes in which we really understand the potential of this danger are only a few.
We can't say that Blackwater is not engaging, mainly because of good stylistic choices and an organic system made by fantastic art features and atmospheric moments of great tension. Yet, all the qualities are engraved inside this “noblemen and houses” fiction, whose predominance sacrifices the space which would be granted to purest horror.

STYLE: 3,5
STORY: 3
WORLDBUILDING: 4
RHYTHM: 3,5
MAIN CHARACTERS: 3
VILLAINS: 4
ARTISTIC FEATURE: 5
ATMOSPHERE: 4
EMOTIONAL IMPACT: 3

FINAL VERDICT: ⭐⭐⭐⭐