Ratings504
Average rating4.1
Her characters remain absolutely insufferable as usual - they are largely one-dimensional (her heroines all have anxiety and complain a lot, her heroes have no personality but nice voices and nice eyes and many muscles). Look, I understand that the function of books like this is to let the reader project their own fantasies onto the minimally-developed characters, but having read good romance, I have a very low tolerance for bad romance. However, I have no one but myself to thank for subjecting myself to this, and cannot in all fairness, accuse her books of excessive whining (whinery?) if I am here whining about them too.
I do think that she did try to tackle the typical ‘city girl goes to small town, falls in love with local carpenter, abandons evil career, discovers love and babies' trope, but the problem is that she keeps telling you how she's about to subvert it, and then she barely manages to. It would be really interesting to see the trope actually subverted by an author who understood that you can show without telling.