Ratings9
Average rating4.1
Chasing Graves is the first in a brand new trilogy from award-winning author Ben Galley. Welcome to Araxes, where ghosts are bound as slaves for the rich and society is cutthroat. Only one thing is for certain in this city: death is just the beginning.
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This was such a great adventure. The world, the imagery and the fleshing out of all the little details really adds so much to the story and Ben Galley does a fantastic job. The book follows 2 main characters in different parts of the world along the same timeline. The convergence of these has yet to happen in book 1, however many pieces are afoot to make this trilogy ascend to an epic scale. I really enjoyed the characters and their characteristics.
The audiobook narration is fantastic as well!
Ben Galley's epic story, Chasing Graves is the quintessential grimdark fantasy:
Dark and brooding characters, check.
Inhospitable political climate, check.
Violence, check.
Fantastic plot, check.
The world-building is exceptional. Galley has created a city unlike any I have read before named Araxas, City of Countless Souls. Imagine a place that stretches horizon to horizon. Dark towers of glittering crystal reach towards the sky and on the ground, the dead walk. The dead are in the form of souls. These souls are people who have died and had the souls taken into perpetual servitude. The oligarchy of Araxas is those few who can command control of the most dead. Araxas is a seat of power for the region, also as you can guess it is a seat of danger and murder.
Character-wise, the first book follows the intertwining narratives of four main characters. The first is of the Empress in waiting. The daughter of the absent Emperor that rules this city from behind closed doors, fearful for his life. Our main character, Caltro, comes to Araxas for an important meeting, only to be murdered in the streets. His soul stolen and sold into slavery. A mysterious woman traveling in the desert dragging a body and a man with a golden eagle's talon for a foot that runs a trade of stolen souls. All of these characters dance around the plot. They peak in and out of each other's stories. They tease the reader with small details that lead us to the larger story. Believe me; Galley is playing the long game in this story. There are no cute and resolved plots for this book. Chasing Graves is a long and luxuriously executed first book that is throwing us head first into the next story.
One of the few detractors I have from the book is at times the pacing slowed. Particularly with the Empress in waiting. I believe that to be a function of backstory and world-building creation and nothing that Galley had control over. That, and I can't really stand her. I find her character to be a well-written brat with a lot of power. I foresee her changing quite a bit in future books, growing as necessity dictates in the political climate.
These characters are not likable, and like in most grimdark stories, they aren't meant to be. There isn't a plucky protagonist that steals the heart of a young maiden. Grimdark is just that, dark. It can be almost cruel in its narrative. Anyone who has read any G.R.R Martin or Mark Lawrence knows how unforgiving a grimdark author can be with his characters. What I like a lot of this book is that it is a dark fantasy, but there are shining brilliant moments of redemption or humor. It is not all muck and mire and savagery. There is light, at least a little bit. That gives me hope and a cause to cheer for Caltro, and I think much more than a typical fantasy story because Caltro, by the end of this tale, will have been through hell and I hope come out in some way on the other side.
That is something to cheer for, and I can't wait to read about it.
Not badly written, but 1. i got really bored, 2. too often it was not believable, sometimes ridiculously so 3. at least one of the storylines (of 3) should have been cut, cause it dragged the book down.
Series
3 primary booksThe Chasing Graves Trilogy is a 3-book series with 3 primary works first released in 2018 with contributions by Ben Galley.