Colorless Tsukuru Tazaki and His Years of Pilgrimage

Murakami creates such bizzare, yet, so captivating worlds in his books, that your attention gets captured right from the first line. The story itself is very life-like. There are no crazy adventures, however, the complicated emotions of characters, and their relationships between each other are so intriguing, that I actually read this book in about 2 days, just because I couldn't put it down!

So umm, parts of this are great, magical, intriguing, fun; other parts are ‘slice of life' and relatable, which are good, but I hated hearing about his sexual fantasies and dreams. And since I was listening to this as an audiobook it was harder for me to skim. Also breast are mentioned A LOT, and while I tried to have compassion that it might have been a fixation that one doesn't have control of it was still grating.
I'll be honest, I sometimes lost track of the characters and I mostly wanted to read this because I had heard that the main character might have been autistic.

Tazaki makes a lot of sense to me and I liked the importance/symbolism of names. It was a little confusing at times and hard to tell what was important. What was with the magic cloth bag and possible soul deal?

It ends with Tazaki ignoring the phone the evening before he's supposed to see Sara and find out if she's choosing him over a man he saw her with and hoping to propose to her...even though she's only said she's fond of him, whereas he's been very direct with ‘I love you' and ‘I want to be with you' multiple times.

Now that I've read the book, I've gone back and read some of the reviews, and the gist of it is: if you like Murakami, you'll recognize a lot of his previous works in this book.

As someone who hasn't read anything of his before (actually, I read What I Talk About When I Talk About Running, which is non-fiction, not realizing it was the same author), I went in with an open mind.

I found the book pretty rote, similar to what they refer to “on rails” when talking about video game. Very linear, lots of loose ends, and not a ton of deep thoughts being provoked. I'd say about a quarter of it was pretty good, a quarter was ok, and half was kind of pointless.

Given that two stars here means “It was ok”, I'm giving it that rating because it's pretty much exactly how I felt about it. It was ok.

Colorless Tsukuru Tazaki was enjoyable but admittedly somewhat stale. This book is somewhere between “I liked it” and “it was ok,” so 2-2.5 stars I guess. Its similarities to [b:Norwegian Wood 11297 Norwegian Wood Haruki Murakami https://d.gr-assets.com/books/1386924361s/11297.jpg 2956680] and [b:South of the Border, West of the Sun 17799 South of the Border, West of the Sun Haruki Murakami https://d.gr-assets.com/books/1443685506s/17799.jpg 1739145] factor into the enjoyment of the book if you make reading Murakami a habit(which I have), so I imagine it's a better experience if it's your first time with him. If it's not, I do feel that this book is pretty much worth the quick read despite its issues and ironic empty/flat feeling.Colorless is good in that Murakami weaves a web of themes and symbols and emotions that are easy to identify with in it(at least personally)–loneliness, torrid yet fickle human relationships, insecurity, the experience of reality and time. However, Murakami kind of pushes the envelope with the indecipherable happenings and the circular, somewhat useless path of Tsukuru in Colorless. Some parts of the “web,” unfortunately, simply seem meaningless when I think they're supposed to be another “ball of mysterious symbolism.”Let me explain more of the similarities between Colorless, [b:Norwegian Wood 11297 Norwegian Wood Haruki Murakami https://d.gr-assets.com/books/1386924361s/11297.jpg 2956680] and [b:South of the Border, West of the Sun 17799 South of the Border, West of the Sun Haruki Murakami https://d.gr-assets.com/books/1443685506s/17799.jpg 1739145]. Spoiler alert? I tried to be vague. I don't know how much similarity to other works should count against a book, but here are some major ones that I noticed. If I went into the protagonists themselves, there'd be a lot more. (NW = Norwegian Wood, SBWS = South of the Border, West of the Sun, CTT = Colorless Tsukuru Tazaki)- NW: ambiguous ending involving a phone call from a girl that the protagonist desires a relationship(to the end of marriage, presumably) with.- NW/SBWS: music ‘theme' song that is ridiculously present in the novel - NW/SBWS: “special person” strongly linked to “special song” (“Norwegian Wood” in NW; “South of the Border” and “The Star-Crossed Lovers” in SBWS; “Le Mal du Pays” in CTT)- NW: older protagonist flashbacks to life as a lonely student in Tokyo with like one friend- NW: loss of friend circle due to traumatic event- NW/SBWS: protagonist seems to connect with women on an especially deep level, even if he has close male friends. Tsukuru mentions this himself. - NW: freaky story from friends, involving piano(mysterious piano player in CTT, lesbian pedophilic incident in NW)- NW: mentally unstable piano teachers- NW: remote retreat-like location- NW: sexual, sleep-interrupting, night ‘apparition' from close friend- NW: friend that protagonist is living with disappearsBonus: I just picked up [b:The Wind-Up Bird Chronicle 11275 The Wind-Up Bird Chronicle Haruki Murakami https://d.gr-assets.com/books/1327872639s/11275.jpg 2531376] and I swear, I've seen this one line in every novel I've read so far: “I lifted my cup and took a sip of my now lukewarm coffee”.