Ratings2
Average rating4
A Victorian gothic novel which investigates ideas that a person can be born ‘bad' and can be identified as a criminal by their features. The story centres around Cora Burns, a young woman who has grown up in a workhouse, an asylum and has spent time in gaol for a crime. She finds a position in a mysterious house where the owner is doing research mainly on Violet, a mysterious little girl.
The storyline is very well plotted, using different timelines and journal entries from another researcher who is hypnotising a woman in an attempt to find more about her. There is a strong sense of mystery about the story, and the reader has to prize out the puzzle of what is going on, what happened in the past and how the characters are related. I thought this was brilliantly done and kept me guessing until the end.
Cora is an incredibly interesting character, at turns meek and submissive, then resisting violent emotions and desires to hurt people who cross or annoy her. I love what the author did with her friend Alice, I thought that was really clever. Cora develops throughout the story from someone who has no control over what happens to her and is institutionalised to a woman who is fully in control and making her way in a society which stands against her. The story perfectly illustrates the position of lower class women and in particular the lives of the outcasts in society and how they were treated in the period. I thought that the author presented a historically accurate view - this was a tragic childhood but it was not all beatings and starvation, she was treated reasonably by some of the staff, who just didn't know what to do with her.
Overall, I thought this was a good story and particularly liked the inclusion of the journal entries. The gothic elements were well handled and didn't become too over the top. It was also a book that made me think but without becoming too obvious about it.