Descent

This book is some brilliant ideas executed quite poorly. In trying to be a literary thriller, Descent really succeeds at neither genre. Nonetheless, in this failure, which is his debut novel, Johnston brings some rather unique ideas. The bad news first: this is yet another abduction/serial sexual predator novel. Why is this even a thing that exists? Also, stranger abduction practically never happens in real life, which makes the profusion of novels on the topic extra strange. But further, this novel doesn't really spend much time on the abduction. I came to the novel having seen it compared to [b:Gone Girl 19288043 Gone Girl Gillian Flynn https://d.gr-assets.com/books/1397056917s/19288043.jpg 13306276], so I thought it was a mystery and tried to read it as such – paying attention to all the details. Unfortunately, that way lies utter madness: there simply is no conclusion to the vast majority of storylines. Why is Grant missing two fingers? Who was the alleged rapist that grabbed a ride with Sean and whatever happened to him? Why was Sean also called Dudley? What happened to Angela after Faith died and was the story she told the real story of the drowning? None of these questions have clear answers, except maybe the first (he was drunk, the end.) and the last (yes, apparently, as billed.) Even the idea of this novel as an exploration of a family after tragedy falls flat as Angela's story gets dropped completely after only two chapters, and Grant and Sean's stories don't really come together until they settle in with the Kinneys. Finally, as many reviewers have already noted: you can either feature multiple timelines or multiple narrators, but not both, especially when you refer to your protagonists only by gender 95% of the time.The good news: there are so many cool ideas here. Johnston really wanted to look at the shockwaves of tragedy and the idea of vignettes of separate coping mechanisms had potential. I loved the idea to make it seem like the story of the “every-man” by referring only to characters as “the girl” or “the boy” and this was one of the most successful themes as it carried through also into Caitlyn's dissociative episodes in which she was watching someone else narrate her story. Johnston is also very into the idea of good luck, bad luck and religion as a result of experiencing bad luck, and this came through strongly, if heavy handedly, with nice parallelism with the story of Angela and Faith as well as the Kenney brothers. Overall, a fairly weak and not very enjoyable novel, but an ambitious one. I will definitely consider reading his second effort.