Ratings57
Average rating3.9
At fifty-two, Professor David Lurie is divorced, filled with desire, but lacking in passion. An affair with one of his students leaves him jobless, shunned by his friends, and ridiculed by his ex-wife. He retreats to his daughter Lucy's isolated smallholding, where a brief visit becomes an extended stay as he tries to find meaning from the one remaining relationship. David attempts to relate to Lucy and to a society with new racial complexities are disrupted by an afternoon of violence that shakes all of his beliefs and threatens to destroy his daughter. In this wry, visceral, yet strangely tender novel, Coetzee once again tells "truths [that] cut to the bone" (The New York Times Book Review).
Reviews with the most likes.
I can understand why this book might leave people feeling uncomfortable and anxious. But I think a lot of people falsely equate this to alack of quality. This book is utterly brilliant. it is supposed to make you uncomfortable...you are supposed to get angry. the protagonist is deeply flawed by design. I can honestly say that this book will have a lasting impact on my life.
A veces la evaluación de una obra está muy influenciada por las expectativas con las que uno aborda su lectura y creo que este es uno de esos casos.
Esperaba ver en Desgracia una historia que expusiera las complejidades de la Sudáfrica del post fin del apartheid y me encontré con que el autor eligió una historia que no parece la más apta para vehiculizar dicha exposición.
La historia del protagonista, el profesor universitario David Lurie, bien podría suceder en cualquier otro país. Y la historia de Lucy, su hija, a través de la cual Coetzee parece querer exhibir la realidad social sudafricana de la época parece un tanto irreal. En cierta forma, los prejuicios del protagonista incluso aparecerían como justificados ante el carácter extremo de la trama.
I found this book to be extremely compelling. I feel like Coetzee really weaved an interesting, complex tale about gender, neo-colonialism, race, and literature. I'm not sure I really liked this book, or if I just felt really strongly that it is an important book. I'd be interested in reading Waiting for the Barbarians or one of his other works as well.
Once upon a time, it seemed, there was a kind of script for powerful men who got caught behaving badly around women: vague apologies, crocodile tears, a trip to rehab, some sort of charitable contribution. A withdrawal from the scene. Then a carefully-crafted return. It worked for years. Then came the Me Too movement, and it didn't seem to work anymore. The failure of this established pattern is also at issue in J.M. Coetzee's Booker Prize-winning Disgrace, except in this case it's because the man in question specifically refuses to use it. David Lurie is a white professor at a university in Cape Town in post-apartheid South Africa. A frustrated scholar of the Romantic literary tradition, interest in his classes has dwindled and he finds himself teaching Communications. He's an unhappy man, twice divorced and mostly uninterested in developing actual relationships with other people. On a whim, he decides to pursue a beautiful student in one of his classes. They sleep together a few times, all at David's initiation and at least once when he's aware that she doesn't actually want to. Suddenly her boyfriend shows up in class, and shortly thereafter he finds himself accused of misconduct against her.
He's offered the standard-issue response: an apology, counseling, a break, but an eventual return assured. He refuses, simply capitulating, and leaves Cape Town for the countryside, where his daughter Lucy owns and runs a small farm. No sooner does he get somewhat accustomed to life there, though, than an episode of violence changes things forever. Three young black men attack David and Lucy, attempting to burn him and gang-raping her. The already-strained relationship between father and daughter becomes even more tense as both try to cope with their trauma in different ways.
It's obvious fairly early on that the characters and situations aren't intended to be always read as strictly realistic. There's a lot of allegory going on here about apartheid and the wounds that it left and the violence that was a crucial part of that system continuing to resonate. I found myself wishing I had more background in the history of South Africa, because I felt like there were layers and layers of meaning and some of them were out of my grasp. Disgrace is a fairly short book, not even 250 pages, but there is a lot going on in it because Coetzee is a master of his craft. Every word of this book was obviously carefully, deliberately chosen and he evokes so much by just letting his plot and characters speak for themselves. And speaking of characters, such a sticking point for me as a reader, this was a strange experience in that I didn't find anyone especially compelling but still found the book as a whole to be something that I was invested in.
So what I'm saying is that this is a very good book, but reader be warned: it is bleak. It is a story about a terrible person, who does some awful things. You almost wonder if he deserves it on some level, but even worse things happen to his daughter and she's just trying to live on her little piece of land and doesn't seem at first blush to be culpable. Or is she? Are all of those who benefit from systemic inequality culpable? There is a note of hope at the end with the promise of the birth of a biracial child, clearly meant to be symbolic of the way forward, but the circumstances leading to that hope are extremely cynical. This is a high quality book that I appreciated the experience of reading and am glad I read and have no plans to ever return to because it was hard. I would definitely recommend it, but go in expecting a downer (and be aware that there's violence toward animals/animal death in case you're sensitive to it).