Ratings24
Average rating4.3
An instant New York Times bestseller! “Batuman has a gift for making the universe seem, somehow, like the benevolent and witty literary seminar you wish it were . . .This novel wins you over in a million micro-observations.” —The New York Times From the acclaimed and bestselling author of The Idiot, the continuation of beloved protagonist Selin’s quest for self-knowledge, as she travels abroad and tests the limits of her newfound adulthood Selin is the luckiest person in her family: the only one who was born in America and got to go to Harvard. Now it’s sophomore year, 1996, and Selin knows she has to make it count. The first order of business: to figure out the meaning of everything that happened over the summer. Why did Selin’s elusive crush, Ivan, find her that job in the Hungarian countryside? What was up with all those other people in the Hungarian countryside? Why is Ivan’s weird ex-girlfriend now trying to get in touch with Selin? On the plus side, it feels like the plot of an exciting novel. On the other hand, why do so many novels have crazy abandoned women in them? How does one live a life as interesting as a novel—a life worthy of becoming a novel—without becoming a crazy abandoned woman oneself? Guided by her literature syllabus and by her more worldly and confident peers, Selin reaches certain conclusions about the universal importance of parties, alcohol, and sex, and resolves to execute them in practice—no matter what the cost. Next on the list: international travel. Unfolding with the propulsive logic and intensity of youth, Either/Or is a landmark novel by one of our most brilliant writers. Hilarious, revelatory, and unforgettable, its gripping narrative will confront you with searching questions that persist long after the last page.
Reviews with the most likes.
This and Batuman's previous The Idiot are both fabulous campus novels which I'd recommend to any former humanities student.
I really didn't think [b:The Idiot 30962053 The Idiot Elif Batuman https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1474782288l/30962053.SY75.jpg 51577226] needed a sequel. Of course I am going to read a sequel should there be one. But wow I do regret this now. While other recent unnecessary sequels (André Aciman's [b:Find Me 44581535 Find Me (Call Me By Your Name, #2) André Aciman https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1557077508l/44581535.SY75.jpg 66927396] after Call Me By Your Name, or Sebastian Barry's [b:A Thousand Moons 52255586 A Thousand Moons (Days Without End #2) Sebastian Barry https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1566404592l/52255586.SX50_SY75.jpg 71765449] after Days Without End) manage to stay detached from their successors, Either/Or feels like a weaker copy of the original that not only wasn't very enjoyable but also made me question my attachment to the original. If I would reread The Idiot right now, would I find Selin and her meandering thoughts and her tendency to self-insert herself into every fictional story she encounters equally annoying? Did Selin change or did I change? Should there be another part about Selin's adventures in Russia, I think I might skip it. This is a super harsh and possibly too-harsh review I realize.