Ratings2
Average rating3.5
In this mind-blowing psychological thriller SJ Watson, the internationally bestselling author of Before I Go to Sleep, explores themes of memory and identity as a young documentary filmmaker travels to a quiet fishing village to shoot a new film, only to encounter a dark mystery surrounding the disappearance of a local girl. For generations Blackwood Bay, a quaint village in northern England, has been famous only for the smuggling that occurred along its coastline centuries ago, but then two local girls disappear bringing the town a fresh and dark notoriety. When Alex, an ambitious documentary filmmaker, arrives in Blackwood Bay, she intends to have the residents record their own stories as her next project. But instead of a quaint community, Alex finds a village blighted by economic downturn and haunted by a tragedy that overshadows every corner. Alex pushes on with her work, but secrets old and new rise to the surface, raising tensions and suspicions in a town already on edge. Alex's work takes her to dark places and uncomfortable truths which threaten to lead to a deadly unravelling.
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Alex, a documentary filmmaker goes to Blackwood Bay to interview the locals. She quickly finds there are a lot of secrets, most of them dark and sinister in this sleepy community. The writing is good, the plot is gripping with a slow burning uneasy suspense.
Note: this was an e-ARC courtesy of NetGalley and the publishers in exchange for an honest review
To me, one of the key features of a thriller or mystery book is that I can't guess the ending. Unfortunately for Final Cut, I guessed the ‘big twist' within the first 20% of the book and spent the rest of the time waiting to be proved right as the author threw things at me to try and convince me otherwise. By the final 10%, where said twist is revealed and everything I had guessed was confirmed I felt more like I had been reading as a chore and that the majority of the story had been inconsequential.
The MC at times behaves contrary to all the information she has available to her; pursuing a man she's accusing of murdering girls that in a previous or next chapter she's adamant are both alive despite everyone she ‘trusts' in the village telling her said man wouldn't have done such a thing, that he's harmless and he's only ever tried to help. Her complete belligerence at blaming him for events seems completely at odds with her relatively logical approach to everything else. It felt too much like the author was trying to force a distraction on the reader to disguise the truth. The MC trusts some complete strangers that no-one has vouched for but then doesn't trust this other stranger who everyone has vouched for.
The story itself had potential and is almost certainly, and depressingly, based on the terrible abuses real people have suffered and it is a shame it has been executed so poorly here in Final Cut. While the MC is struggling with her memory, I still don't think that forgives the confused signals we get from her and her motivations.
Finally, I am unsure whether the e-ARC I received had chapters out of order as there were two occasions were the MC references other characters by name who we have not been introduced to yet and in a subsequent chapter we're then introduced to them. As I say, I'm not sure if this was a mistake and edits will be done before publication or whether it was intentional as an attempt to make the reader doubt their own memory, much as our MC does throughout the book. In either event, I found it frustrating and it felt like a mistake so made me wonder about the editing process. There was one other instance that I spotted which seemed to have been missed in editing - whether that's picked up on between now and retail, maybe, so I let it slide.
Overall, there was a bit too much that didn't make sense in the book on top of the poor characterisation, weird editing decisions and the endless buffeting of distractions away from an otherwise predictable ending.
This and my other reviews are on my site: Aspects of Me.