Ratings4
Average rating3.4
This is a sweet little book that is mostly about Sasha Sagan's life and gratitude to her parents, Ann Druyan and Carl Sagan. It is clearly inspired by their work: writing clearly and spaciously about how the marvels of science and the rational world can invoke a sense of awe and spirituality and exploring a non-supernatural intention for religion and connection.
It was interesting to me that for a book about atheism, it is also a profoundly Jewish book. When Sasha talks about the atheists that found meaning in awe in the scientific world being people like her father, Einstein and Feynman, it's not a coincidence that these are all Jewish atheists. To riff on a classic Jewish joke: the G-d they don't believe in is specifically the Jewish G-d. This is important because so many atheists in America are culturally Christian and talk about atheism in a way that is specifically about rejecting Christianity. For Jews, participation in ritual life is not predicated on belief, and the blending of ritual and spirituality with atheism is simpler. This is clear when Sagan talks about her atheistic approaches to Shabbat, Passover and other Jewish traditions.
A trainee came to my office in tears a few years ago, to ask how to move forward in a world where we are constantly caring for sick and sometimes dying children. The only thing I could tell him was that religion was the technology that humanity had invented and refined over millenia to deal with hardship and that using this technology did not require any belief, just a willingness to trust that feeling part of something larger, finding rituals that take us out of the day-to-day and being in community. Sasha Sagan paints a way to do this in a world where many people have religious trauma, and/or do not hold supernatural beliefs, reverse engineering the technology to include: textures of time that relate to the seasons/days of the week/times of day, moments for rest and recuperation, moments for self-denial and empathy for those with less abundance, moments for joy and grief and awareness of being alive and this being a temporary state.
It is more of a reflective piece than a practical piece, but I enjoyed it and will come back to it.