Habibi
Ratings58
Average rating4.2
15
Ratings58
Average rating4.2
Sprawling across an epic landscape of deserts, harems, and modern industrial clutter, Habibi tells the tale of Dodola and Zam, refugee child slaves bound to each other by chance, by circumstance, and by the love that grows between them. We follow them as their lives unfold together and apart; as they struggle to make a place for themselves in a world (not unlike our own) fueled by fear, lust, and greed; and as they discover the extraordinary depth—and frailty—of their connection.
At once contemporary and timeless, Habibi gives us a love story of astounding resonance: a parable about our relationship to the natural world, the cultural divide between the first and third worlds, the common heritage of Christianity and Islam, and, most potently, the magic of storytelling.
Reviews with the most likes.
Got introduced to Craig Thompson's genius through Blankets. Although the story is good, I felt religion had too much of an impact on the storyline. As always, stunning artwork, making it a joy to read. But I still prefer Blankets over Habibi.
Reading Habibi is like watching Craig Thompson juggle with chainsaws. The huge ideas he works with: the intractable divisions of gender, sex, ecology, religion, and colorism, are live and dangerous and complicated. He chose to set this story in a dreamlike world outside of time and concrete geography, and it frees him to explore these divisions as aspects of the human condition.
There are no easy answers found in this story, grey area is everywhere and anyone looking for relief or prescriptions is bound to be disappointed. Except maybe in the values of story and art. Story, art, words and ink are intwined, and I have to note as well that I cannot think of a more beautiful object than the book that is and contains this story.
