Ratings4
Average rating3.3
Janet Evanovich’s #1 New York Times bestselling sensation Stephanie Plum returns in her twenty-forth thriller as mutilated corpses litter the streets of New Jersey... Trouble comes in bunches for Stephanie Plum. First, professional grave robber and semi-professional loon, Simon Diggery, won’t let her take him in until she agrees to care for his boa constrictor, Ethel. Stephanie’s main qualification for babysitting an extremely large snake is that she owns a stun gun—whether that’s for use on the wandering serpent or the petrified neighbors remains to be seen. Events take a dark turn when headless bodies start appearing across town. At first, it’s just corpses from a funeral home and the morgue that have had the heads removed. But when a homeless man is murdered and dumped behind a church Stephanie knows that she’s the only one with a prayer of catching this killer. If all that’s not enough, Diesel’s back in town. The 6-foot-tall, blonde-haired hunk is a man who accepts no limits—that includes locked doors, closed windows and underwear. Trenton’s hottest cop, Joe Morelli isn’t pleased at this unexpected arrival nor is Ranger, the high-powered security consultant who has his own plans for Stephanie. As usual Jersey’s favorite bounty hunter is stuck in the middle with more questions than answers. What’s the deal with Grandma Mazur’s latest online paramour? Who is behind the startling epidemic of mutilated corpses? And is the enigmatic Diesel’s sudden appearance a coincidence or the cause of recent deadly events?
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31 primary books35 released booksStephanie Plum is a 35-book series with 31 primary works first released in 1994 with contributions by Janet Evanovich and Andrea Carlo Cappi.
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★ ★ 1/2 (rounded up)
This originally appeared at The Irresponsible Reader.
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I dropped Lula off at the office and went to my parents' house to mooch lunch. They live five minutes from the office, five minutes from Morelli's house, and a time warp away from me. Even when my mom gets a new refrigerator or buys new curtains the house still feels precisely the same as when I was in school. It's equally comforting and disturbing.
Look Alive Twenty-Five