Ratings12
Average rating3.4
In present-day New York City, five women meet in a basement support group to process their traumas. Bernice grapples with the fallout of dating a psychopathic, blue-bearded billionaire. Ruby, once devoured by a wolf, now wears him as a coat. Gretel questions her memory of being held captive in a house made of candy. Ashlee, the winner of a Bachelor-esque dating show, wonders if she really got her promised fairy tale ending. And Raina's love story will shock them all.
Though the women start out wary of one another, judging each other’s stories, gradually they begin to realize that they may have more in common than they supposed…What really brought them here? What secrets will they reveal? And is it too late for them to rescue each other?
Dark, edgy, and wickedly funny, this debut for readers of Carmen Maria Machado, Kristen Arnett, and Kelly Link takes our coziest, most beloved childhood stories, exposes them as anti-feminist nightmares, and transforms them into a new kind of myth for grown-up women.
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Hmm, 3.5? Sharp and well-written, but there were a couple of plot points that didn't add up. Still, a good read.
“Dark, edgy, and wickedly funny” - yes, yes, and yes. How to Be Eaten is a gorgeously written story about a modern-day support group comprised of five women who've survived so-called fairy tales, from the traditional (like Gretel, who - unsurprisingly - struggles with a deep mistrust of food and those who try to feed her) to the contemporary (like Ashlee, the 21-year-old ‘winner' of the most recent Bachelor). It is TWISTED, and it is excellent.
In terms of plot, it of course reminded me of The Final Girl Support Group by Grady Hendrix, which I enjoyed - but I'd put TFGSG squarely in the thriller category, whereas I think How To Be Eaten is more ambiguous. It has thriller-esque elements, particularly around the therapist and his motivations, but it's much more character-driven than your typical mystery, and there's magical realism too. I'd actually compare it most closely to Silvia Moreno-Garcia's Mexican Gothic - both books expertly create a sense of creeping unease (and visceral shock!) as you move through them.
The one thing I didn't like about this book was the cover - I think it's misleading. It suggests that Ruby's (Little Red Riding Hood's) story will be the central one, but that's not the case. (The women get roughly equal ‘page time', but if there's an argument to be made for one central character, I'd go with Bernice or maybe Raina.) I would have preferred a more abstract design, or one that managed to integrate elements of all five women's stories - I think that would have set a much stronger orientation.
That said, I loved this book. I loved it so much I had to force myself to stop reading when I was 70% of the way through so that I could savor it through more than one sitting. To put it in context, I read an absurd amount - I'm at 80+ books in 2022 so far - and I can already tell this will be a contender for one of my favorites.
Thanks to NetGalley and Little, Brown and Company for my ARC.
I really liked the beginning of this book and the premise but there was really next to nothing to make these girls any kind of engaging and their stories just seemed to unwind rather than go anywhere if that makes any sense?
I should have given up when the girl thinking in emojis came up, I speak pretty fluent brain rot (ask my gen Z kiddo they'll tell you how cringe I can be with that stuff) but that was next level insufferable and tedious. To be honest while I technically finished reading the book, I skimmed pretty heavily near the end (last 20%) in the sense that I felt my mind glazing over while reading but refused to back track. I'm just not going to rate this book because I probably won't remember anything about it except the semen covered fur coat and the speaking furniture made from dead women (or at least speaking in their voice, I might have missed something).
Liked it at the beginning, was creepy & fun. Then I got bored and it got too weird