How to Write a Sentence and How to Read One
Ratings6
Average rating3
15
Ratings6
Average rating3
Some appreciate fine art; others appreciate fine wines. Stanley Fish appreciates fine sentences. The New York Times columnist and world-class professor has long been an aficionado of language: "I am always on the lookout for sentences that take your breath away, for sentences that make you say, 'Isn't that something?' or 'What a sentence!'" Like a seasoned sportscaster, Fish marvels at the adeptness of finely crafted sentences and breaks them down into digestible morsels, giving readers an instant play-by-play. In this entertaining and erudite gem, Fish offers both sentence craft and sentence pleasure, skills invaluable to any writer (or reader). His vibrant analysis takes us on a literary tour of great writers throughout history—from William Shakespeare, Jane Austen, and Henry James to Martin Luther King Jr., Antonin Scalia, and Elmore Leonard. Indeed, How to Write a Sentence is both a spirited love letter to the written word and a key to understanding how great writing works; it is a book that will stand the test of time. - Publisher.
Reviews with the most likes.
The half of this book that's about “How to Write a Sentence” is super good. The half of it that's about “How to Read One” is abysmal.
What makes a swoonworthy sentence? What is it about one particular collection of just the right words, arranged just the right way, that reaches across miles and years from writer to me and slams those goosebump neurons? Having just caught my breath after reading [b:There There 36692478 There There Tommy Orange https://images.gr-assets.com/books/1512071034s/36692478.jpg 58040066], I wanted to understand more about the art of composing readable prose. I'm still no closer to being able ever to craft any, but I think Fish has helped me identify what it is I love about some writing and possibly even love it more. Kind of art/music appreciation for books, and, like those, only time will tell how much sticks with me.The book is mostly enjoyable, with a good balance of explanation and contemplation: the mechanisms, then classic examples with analysis of what makes them work. Fish emphasizes structure and context and arranges his chapters in meaningful sequence. That last chapter, though... I found it impenetrable. Feel free to skip it—or to tell me what a muttonhead I am for not enjoying the best part.
