If You Want to Write

This book will not give you advice on how to find a publisher or and agent. This book is does not give you writing prompts or ideas. This book's soul purpose is to give you encouragement and inspiration in whatever art you have passion for. If you are overwhelmed by critics, “rules”, or market this book can put help beginning artist. The author was very kind almost too kind and I think far too many footnotes, which become a distraction.
I think Anne Lamott's “Bird by Bird” more helpful.

I'm getting ready for National Novel Writing Month in November, and to prepare myself, I've been reading If You Want to Write. First published in 1938, Brenda Ueland's If You Want to Write is said by some to be the ur-text to modern inspirational writing texts.

Ueland compares the creative process to listening to God inside yourself:

“Now this creative power I think is the Holy Ghost. My theology may not be very accurate, but that is how I think of it. I know that William Blake called this creative power the Imagination, and he said it was God. He, if anyone, ought to know, for he was one of the greatest poets and artists that ever lived. Now Blake thought that this creative power should be kept alive in all people for all of their lives. And so do I. Why? Because it is life itself. It is the Spirit. In fact it is the only important thing about us. The rest of us is legs and stomach, materialistic cravings and fears.”
She learned a lot about the process by reading van Gogh's letters:

“But the moment I read van Gogh's letter I knew what art was, and the creative impulse. It is a feeling of love and enthusiasm for something, and in a direct, simple, passionate, and true way, you try to show this beauty in things to others, by (recreating) it.
Ueland also learned about the creative process from her writing students:

“I learned from (my students) that inspiration does not come like a bolt, nor is it kinetic, energetic striving, but it comes into us slowly and quietly and all the time, though we must regularly and every day give it a little chance to start flowing, prime it with a little solitude and idleness. I learned that you should feel when writing, not like Lord Byron on a mountaintop, but like a child stringing beads in kindergarten–happy, absorbed and quietly putting one bead on after another.”

A few more great quotes:
“Work with all your intelligence and love. Work freely and rollickingly as though they were talking to a friend who loves you. Mentally (at least three or four times a day) thumb your nose at all know-it-alls, jeerers, critics, doubters.”

“If you write, good ideas must come welling up into you so that you have something to write. If good ideas do not come at once, or for a long time, do not be troubled at all. Wait for them. Put down the little ideas however insignificant they are. But do not feel, anymore, guilty about idleness and solitude.”