Ratings1
Average rating3
FINALIST FOR THE 2019 SCOTIABANK GILLER PRIZE Award-winning author David Bezmozgis’s first story collection in more than a decade, hailed by the Toronto Star as “intelligent, funny, unfailingly sympathetic” In the title story, a father and his young daughter stumble into a bizarre version of his immigrant childhood. A mysterious tech conference brings a writer to Montreal, where he discovers new designs on the past in “How It Used to Be.” A grandfather’s Yiddish letters expose a love affair and a wartime secret in “Little Rooster.” In “Childhood,” Mark’s concern about his son’s phobias evokes a shameful incident from his own adolescence. In “Roman’s Song,” Roman’s desire to help a new immigrant brings him into contact with a sordid underworld. At his father’s request, Victor returns to Riga, the city of his birth, where his loyalties are tested by the man he might have been in “A New Gravestone for an Old Grave.” And, in the noir-inspired “The Russian Riviera,” Kostya leaves Russia to pursue a boxing career only to find himself working as a doorman in a garish nightclub in the Toronto suburbs. In these deeply felt, slyly humorous stories, Bezmozgis pleads no special causes but presents immigrant characters with all their contradictions and complexities, their earnest and divided hearts.
Reviews with the most likes.
Can I just say that I got a perverse joy every time David Bezmozgis talked of his home in Latvia thinking it as Latveria the home of Doctor Doom. Vaguely European vassals under the sway of an iron plated monarch with a penchant for villainous monologuing. Right - not helpful. God, I suck at reviewing short stories.
Listen the first, and titular, story just hooked me. It's just a tight, beautifully constructed, evocative piece about a man and his daughter buying a car door from a Somali in Toronto. And then it's followed by a couple of shaggy pieces that just don't quite gel for me and I'm off balance. But maybe I'm just not paying close enough attention. Bezmozgis has a way of laying out elements of a story that snap into sharp focus at the end. Victor returning to his homeland to settle a gravestone at the expense of his vacation resolves into dealing with his counterpart Ilya and how far removed he's become from the life that might have been his in Riga. The final story, The Russian Riviera ambles at a fine pace in a clear voice that I'd have been happy to get a full story from.
So like every short story review ever. Some hits, some misses but overall a solid piece of writing.