Indexing

Episode 1
What an intriguing concept – and difficult to explain without just quoting either the text or the publisher's description. But essentially, seemingly at random, Fairy Tales come to life, taking over people's lives, forcing them to reenact the basic plotlines over and over again – leaving ruined lives and corpses in their wake. There's an MIB-type organization dedicated to controlling these events and preventing Muggles from realizing what's going on.

It's hard to know what to say about this episode, there's a lot of pipe laying here – setting the stage, introducing the characters/world/concept – and only the barest of stories. But what we got was entertaining enough to keep me reading. As a short story, I'm not sure how engaging it was. As a first chapter, it's a start – especially since it's McGuire steering this ship. Future episodes likely can't come fast enough.

Episode 2
Now this is settling in to be something I want to read. Here in Episode 2, things are settling in – we're getting to know these people as characters, not just as types or names, but as people.

First and foremost in this regard is Demi Santos, who we met last time, the Piper that came to the rescue – at the cost of her own lifestyle. Watching the others deal with her apparently great and uncommon power should prove compelling. Henry/Henrietta, our Snow White protagonist also seems a bit more like a person now, and more like someone I want to read the continuing adventures of (nicely – and not surprising – she's not a Toby Daye or Verity Price clone). I could use a little more rounding of Andy, the actual, normal human (the guy who most authors would use as the protagonist, the reader's entry way to this world), but I like what we have so far.

I think it's entirely possible that Jeff, the cobbler elf, could be my favorite of this bunch – just for the fun to watch him and his particular traits be exploited by Henry while making him more content than anyone else we've met.

Sloane, the gothy Wicket Stepsister with a shoe-shopping fixation is still mostly a small collection of quirks and ticks. But it's early days yet. I do get the impression that McGuire wants us to like her more than I do, but that'll come.

The biggest development is what the dispatchers, in particular, Birdie (a character who starts off rounder than most in this book), seems to give us the central conflict of the book. That the stories the Agents are sent out to contain/manage seem to be one type on the initial analysis, but end up being another once agents are on the ground. Henry seems perplexed (to say the least) and I can't say I blame her. I suspect the answer to this will be quite interesting.

Episode 3
This episode shows the weakness of this distribution model – McGuire had to wrap things up too quickly, too neatly. This was something that deserved more exploration, not to be wrapped up in a bow after so many words. If I were to read somewhere that McGuire realized that this part was too long, so she had to rush to the conclusion, I'd buy that in a heartbeat. I like that explanation better than anything else.

Is there any other training the group does besides on-the-job? Seriously. The Pied Piper is clearly not ready for field work – moreover, the team isn't ready to work with her. Henry, in particular, throws her at a situation without thinking through the ramifications, and turns a bad situation worse. Are things really so dire that they have to rush the recruits into the field before anyone knows what to do with them? Was the team unable to handle things before she came aboard? (I mean, other than the incident that made them activate her).

This points to my biggest problem with this Episode: Henry. She's a lousy leader. Other than tendency to bark orders at people, I saw nothing to make me think, “yeah, she's a good leader – capable, competent, resourceful.” I was just unimpressed with her, and I'm pretty sure we're not supposed to be.

Despite that . . . I enjoyed this one over all. Particularly the use of Sloane – who had been the part of the series I thought worked least. But we got a better picture of her as an agent, not just a comic foil, or shoe shopper. More of this, please. I thought the rest of the supporting cast – up to, and including, our Goldilocks – were just what they needed to be. Just need to get Henry to a better place and keep Sloane where she is now, and this thing will really start cooking.

Episode 4
McGuire's feeling confident enough in this world she's created to throw out her typical approach to this episode (it feels weird to say things like that about a 4th installment, but I've been reading this long enough now, that it feels like more). She plays with time, POV, structure and her reader's expectations.

The result is a very strong episode. We get a much better idea of what makes' Sloane tick, how her mind works in abeyance, the struggles she faces as someone in that state. We also get to see a Narrative Intrusion handled in a way we're not used to (and we're not the only ones who think that way).

Best of all, the ending sets up a potentially very exciting episode or more for the future. Possibly even the bulk of the series. Unlike the last episode, I thought this one displayed the strengths of this episodic method of story telling, and I'm looking forward to Episode 5 with a larger sense of anticipation than I have the rest of the series.

Episode 5
I thought I had things figured out — at least for the next 2-3 episodes, I thought she'd take the memetic incursion from the last episode and put it to work, and that this would last for a few episodes, if not turning into the Big Bad for the 12 as a whole.

What a relief to be wrong — the way that McGuire took things instead — a good, honest heart-to-heart rather than repeated covert assassination attempts might be smaller on the Drama Meter, but it ranks pretty high on my satisfactory use of characters meter. Characters — particularly those who work in close quarters together — need to talk more and combat less (not that I have a problem with good fight scenes, etc. — it's just when they're necessary and/or unavoidable, not the result of sit-com type misunderstandings and circumstances)

The cases that Henry and her team (aka, Henry and People Who Serve a Purpose) have been dealing with lately, the narrative isn't acting like they expect/have been lead to believe is necessary. That's definitely the situation this time, which for some reason appeals to me more than the others. Maybe it's the way that this one veered from the norm, maybe it's because I'm getting a better and better idea what the norm is supposed to be. Or maybe I just have a thing for people poisoning their families.

I hope it's not the latter.

I'm thinking we could use more development of each idea in this episode (and in retrospect, the previous episodes, too) — it felt really rushed. Almost too rushed to keep going with. I don't think each of these is a book-length idea (but it might be), but they need more space than they're currently getting, at least 2x the words.

Still, a good read, with a lot of tantalizing possibilities for the next episodes. I need to just stop trying to guess what's going to happen and just enjoy the ride. Don't see that happening, but that's what I should do.

Episode 6
Again, I'll just say that without more grounding in the normal way the narrative works in this world it's hard to get too invested in/fully understand the way it's working differently now. If McGuire'd asked me, I'd have told her to give us an episode or two of the status quo before Henry has to toss caution to the wind and recruit Demi. But the status is not quo – and McGuire didn't ask me, so who cares? (frankly, as long as I get my regular Toby Daye fixes, I really don't care how the rest of her stuff comes out, even this one, which I'm generally positive about.)

This particular case is interesting enough on its face – but once you go behind the surface, this could get really, really ugly. The plot twists and turns in these few pages are very engaging, just the kind of thing to really draw in the reader.

The character moments for Henry and Sloane are likely the best in this series – Henry seems capable and useful – something I've not really seen from her – particularly when she dips into her Snow White-ness for the sake of the investigation. And Sloane grappling with her (true?) self was very effective. I was less impressed with the use of Demi here – her being overly honest and complete with her reports was a good, rookie touch. But where's the training, why weren't her teammates on top of that thing – she needs to be trained, not only in the written words and procedures, but in the unwritten policies of her team. They've really dropped the ball with her.

McGuire really seems to be pointing at someone as the Big Bad of the series – I'm not sure I want to go where she appears to be leading – it's almost too easy that way. Then again, sometimes the subtle approach isn't the best. I guess I'll see over the next 6 installments.

Episode 7
Well, didn't see any of that coming. Wow. Well, not totally true – I'd figured something a lot like what happened with Demi at the end of the episode was coming. But McGuire's been leading us to that for awhile now, so that's not a knock on her ability to surprise the reader. Given how many different things happened in this episode, that's still a really good ratio.

More stuff – little things, episodic things, character things, overarching plot things, comic things, curious things, puzzling things – happened in this episode than any other. The pacing was far different, too – there was an urgency to everything that unfolded that matched what was going on for the characters. The team split up to deal with several narrative events – their night was chaotic, messy, and terrible – and the writing matched that. I read this a few days ago, and more than any single plot point, that feeling sticks with me.

Not that the plot points have faded – this is one of those bits of writing that burns itself into your brain for awhile. Every character is well-served, even the constantly under-utilized Andy. He gets more ink – and action – here than in the first six episodes combined. We learn a lot about him along the way – and while Jeff is featured as much as he usually is, we learn as much about him as Andy.

This is an episode where the changes to the narrative are front and center, on display for Henry's team to see as clearly as it is for the reader – and the rest of the Agency. Not just the potentially earth-shattering events are lived through, but paradigm-shifting realizations are reached. The road for these five just got a lot bumpier ahead.

In the midst of this heaviness, McGuire puts a well-placed bit of comedy (possibly two, depending how you take the latter). Henry and Sloane are working to keep a Peter Pan from attempting to launch himself off a roof and discover that he really can't fly. I wondered if instead of trying to stop him, what if they made him think a lot of happy thoughts – would that have actually permitted him to fly? In a world where a Snow White manifestation can actually talk to birds, I wouldn't have thought so. But maybe. With time running out and their normal efforts failing, Sloane does the smartest, most inventive thing I've seen anyone in this book do to help this boy grow up. I laughed out loud as I realized what she was up to, and kept it up through her execution. I'm still not sure why Henry was so against it.

I'm more invested in this story than I've been at any point since I started reading it, and cannot wait for Episode 8.

Episode 8
Hey, diddle diddle! That was something! I spent most of this episode leaning forward on the edge of my seat (surely, I'm not the only one who subconsciously believes that helps them read tense/exciting parts of books faster, am I?). Sure, I was way ahead of Henry on picking up that Very Significant Clue, but the important thing is that she grabbed hold of it eventually and ran with it. Killer episode.

From the shell-shocked reaction of the team to the events in the last episode (unlike the rest, this one picks up right from the end of the previous installment), through the bureaucratic kerfuffle that kicks up from it to Henry's clue pickup straight through to . . . well, the end – this was Indexing firing on all cylinders.

It struck me that at this point McGuire's developed her world enough that she can say something like this:

Birdie Hubbard lived in exactly the sort of house that you would expect a woman named “Birdie Hubbard” to live in, especially if that woman existed in a world where fairy tales were real and had teeth.