This engaging critical study moves beyond the image of the brooding, destructive man at odds with employers and his own star status to explore the complexity of Mason’s career with an analysis framed through three strands central to understanding stardom: the star persona, industry and power, and screen performance. This essay balances traditional readings of Mason with an emphasis on his undervalued post-1962 career, off-screen celebrity status, non-film work, comic and vocal performances, and the star’s own self-commentary. In doing so, she offers a new perspective on Mason’s powerlessness, public image and national identity, contextualizing his career in wider histories of British, American and European transnational filmmaking.
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