Jaws by Peter Benchley

With the 1974 publication of the novel Jaws and the release a year later of the film based on the book, an American cultural phe- nomenon was born. Today, the remarkable bestseller by Peter Benchley still towers as a thrilling classic of suspense, drama, and the eternal conflicts of man against nature . and man against himself.

As the movie continues to be broadcast all over the world, entire generations may know the Jaws story only through its cinematic rendition. Those unfamiliar with the literary forerunner are in for a wonderful surprise, for the novel contains many twists of plot and character that were omitted in the film. The marine biologist Matt Hooper, for example, shows a predatory side that threatens to destroy the marriage of Police Chief Martin Brody. And the town of Amity and its residents are menaced by even more than the gigantic great white shark.

As all novels should be, Peter Benchley's Jaws is an extraordinary experience of its own, a masterpiece as mesmerizing today as it was in 1974, when it first took us into the watery world of a creature designed by nature to kill ... and into the terror it brings rushing up with him from the silent darkness of the deep. --front flap

Full disclosure for this one, the movie is my grandfather and father's favorite movie, I grew up on it, so the movie and its plot line have a very nostalgic pull for me. We used to rent the same house in Lavallette, New Jersey every summer, and watching Jaws on the first night we arrived was always the tradition.

With that being said, the opening of the novel felt like a very straight forward and true adaptation. The shark descriptors and kills were perhaps more gruesome, but the general feel was the same. I was very into it at this point. It was around a quarter in or so, where the differences started to show themselves, where I started to pull away.

To me, it feels like the author said...'well, how do you make a novel about a shark interesting??? You could simply stay out of the water right?' This is where I feel like the movie simply made them enter the ocean sooner to do away with that point. Instead, the author added strange somewhat mafia-fueled political intrigue. The author also includes a subplot including main characters and adultery, toxic masculinity, and a REAL weird conversation about rape fantasies...seriously wtf.

Part of me still really enjoyed the shark stuff and the nostalgic feels they brought with them. Although they don't get on the boat until literally 75% through the story, I feel like the Orca, Quint, and the climax salvage the novel somewhat. Sharks are scary. Personally a 3/5* for me still, a very rare ‘the movie is better' here.