Ratings4
Average rating1.6
A feral, heart-busting, absurdist debut about Molly, a rambunctious and bawdy ten-year-old searching for friendship and ghosts.
It’s 1992, and ten-year-old Molly is tired of living in the fire-rotted, nun-haunted House of Friends: a Semi-Cooperative Living Community of Peace Faith(s) in Action with her formerly blind dad and their grieving housemate Evelyn. But when twenty-three-year-old Jeanie, a dirt bike–riding ex-con with a shady past, moves in, she quickly becomes the object of Molly’s adoration. She might treat Molly terribly, but they both have dead moms and potty mouths, so naturally Molly is the moth to Jeanie’s scuzzy flame.
When Jeanie fakes her own death in a hot-air balloon accident, Molly runs away to Chicago with just a stolen credit card and a sweet pair of LA Gear Heatwaves to meet her pen pal Demarcus and hunt down Jeanie. What follows is a race to New Year’s Eve, as Molly and Demarcus plan a séance to reunite with their lost moms in front of a live audience at the World’s Fair.
A surrealist and bold take on the American coming-of-age novel, Holly Wilson’s debut is about the interstices of loss, grief, and friendship.
Reviews with the most likes.
first, thank you netgalley for the copy
At this point I'm embarrassed. It's not even the amount of cursed words because, yeah there's A LOT of them. It's the terms that the author use like lesbos, r-word... but when the n-word popped up I couldn't listen to this book anymore. So this is a DNF at 70%.
NOPE NOPE NOPE. I never DNF advanced copies, but I simply cannot and will not finish this book. The writing is terrible, the language is foul (coming from someone who curses often, but I can't stand the r-word every two sentences, especially from a 10 year old's mouth), and the characters are atrocious. I usually will say a book just isn't for me and to go ahead and give it a try, but this time I'm very strongly recommending you avoid.
I’d like to thank Netgalley and Gillian Flynn Books, from whom I received an ARC of the audiobook. All opinions are my own.
I wasn’t sure about the Kittentits audiobook when I started it because to be perfectly honest, I didn’t like the narrator. I kept listening anyway because sometimes narrators grow on me, and I’m glad I did because Stephanie Willing really worked for Kittentits. I especially loved her voice for Jeanie, as she did a great job of bringing out Jeanie’s casual indifference and annoyance towards Molly.
Holly Wilson found a really great balance of writing in the tone of a child but with the style of an adult. Kittentits felt a lot like reading the diary of a 10-year-old girl. It’s written in first-person, and Molly sounds very much like a child, but it doesn’t feel like reading a children’s book.
There’s some offensive language used throughout Kittentits but in my opinion, there are two different kinds of authors when it comes to offensive material. Those that use it just for shock value, and those that use it because it’s an accurate representation of their character’s behavior and the setting. Holly Wilson doesn’t use offensive language just because she wants to shock people. In 1992, Molly uses these words because she’s a kid who thinks it’s badass. She also knows her dad doesn’t like it and she wants attention that she isn’t receiving. She’s lonely and has a lot of anger and grief she doesn’t know what to do with. This is how it comes out.
I didn’t have any preconceived notions of where the story would go after Jeanie faked her death and Molly set out on her adventure but it definitely went way beyond anywhere I would have guessed and into some pretty surreal territory I wasn’t expecting.
Kittentits is my favorite kind of weird book. I thought I’d like it but I enjoyed it even more than I thought I would. I’ve thought about Molly, a little girl I think I’d have been great friends with as a kid, several times in the days since I’ve finished it, and I expect I’ll think of her from time to time in the future.
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