L.A. Requiem
Ratings11
Average rating4.4
15
Ratings11
Average rating4.4
“Terrific entertainment . . . A powerful portrait of Los Angeles in our time: swift, colorful, gripping, a real knockout.”—Dean Koontz The day starts like any other in L.A. The sun burns hot as the Santa Ana winds blow ash from mountain fires to coat the glittering city. But for private investigator Joe Pike, the city will never be the same again. His ex-lover, Karen Garcia, is dead, brutally murdered with a gun shot to the head. Now Karen's powerful father calls on Pike (a former cop) and his partner, Elvis Cole, to keep an eye on the LAPD as they search for his daughter's killer--because in the luminous City of Angels, everyone has secrets, and even the mighty blue have something to hide. But what starts as a little procedural hand-holding turns into a deadly game of cat-and-mouse. For a dark web of conspiracy threatens to destroy Pike and Cole's twelve-year friendship—if not their lives. And L.A. just might be singing their dirge. Praise for L.A. Requiem “One of the best crime novels I've ever read. Absolutely terrific!”—David Baldacci “Darker, denser, deeper, and more satisfying than anything he’s written before.”—The Denver Post “[A] whodunit with salsa and soul . . . [Crais] keeps his plot pounding along.”—People
Series
18 primary booksElvis Cole and Joe Pike is a 18-book series with 18 primary works first released in 1987 with contributions by Robert Crais.
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A more developed version of this appears on my blog, Irresponsible Reader, as part of my Reread Project.
One of my all-time favorite movies is Midnight Run, if you haven't watched it, shame on you. Really. There's no excuse. Go rectify that situation. As you'll recall, Jonathan Mardukus torments the bounty hunter bringing him back to LA with the question, “Why are you so unpopular with the Chicago police department?” Throughout this series, astute readers have likely been asking a similar question: “Why is Joe Pike so unpopular with the Los Angeles police department?” – at least I have (which is not to say you're an astute reader if you haven't been asking the question I have – clearly, you're astute. And good looking. With a great sense of humor). Except for the times when the detectives have hard to travel out of town, we've seen animosity to outright hatred in the LAPD's reaction to Joe (with the exception of Det. Angela Rossi). In these pages, we finally learn why (it's an understandable, yet, mistaken reason – naturally). But we learn a lot more about him, here, too: the foundation for his obsession with keeping his jeep clean, why he's driven in many of the ways that he is, and more – but this isn't just a series of flashbacks – all we learn about Joe serves the main story as well as the character.
For a little change of pace here in book 8, Joe Pike brings in the client. In this case, it's the father of a woman Joe dated back when he was a police officer, things ended badly, but not so badly that Frank Garcia has lost any respect for Joe. So when Karen goes missing one day, and the police won't help him yet, Frank turns to Joe for help. Joe, naturally, brings Elvis along for this investigation.
The events that turned Pike into LAPD's Most Hated are related to the outcome of this case – and not just because it makes every cop willing to believe the worst in Joe and not look too hard for an alternative explanation when Joe becomes a suspect. His partner jailed, the police hostile to any efforts to seek another suspect, the Karen Garcia case becomes Elvis' most personal case yet (until the next book).
The various police officers and detectives involved in this book are just horrible – bordering on cartoonishly bad at the beginning. Not necessarily bad at their jobs, just bad human beings. Thankfully, Crais isn't that kind of writer, and you learn there's actually a reason for these men and women to act this way. Garcia's able to use his political clout to force the detectives assigned to the case to let Elvis observe them, read their reports and whatnot. Which is resented (and not just because of Joe), particularly by the detective who's forced to act as his liaison, Samantha Dolan. Dolan eventually softens to a degree, and her relationship with Cole acts as a precursors/template for another coming soon in Elvis' life.
There's a very spoiler-y paragraph here on my blog's version if you want to read it. I also briefly mention John Chen there for those who care.
Nothing is simple about this case – not the mystery, not the motive for the killings, not the various motives for the investigators, not the lives of those touched by the crimes/criminals/investigators. It's all complicated, messy and very human.
In the end, this is Crais' masterpiece. Which isn't to say that he hasn't written some very satisfying and enjoyable books after this – many of which I like more. But nothing's as good as this one. This brings us to a new stage in the Cole books – one that continues to this day. I might contrast the two stages a bit more in the weeks to come (maybe during/after The Forgotten Man or maybe to go along with The Promise), almost making them two different series. And yes, I miss the old Elvis – but that's not to say there's a problem with the new one, it's just noting a difference. It's haunting, it's disturbing, and will affect any reader that has an emotional connection to the partners. Really well done. Oh, and as a bonus, the last 3 or 4 pages are just gorgeous – probably the most “writerly” writing that Crais has done yet.
