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David Sedaris's new collection, Me Talk Pretty One Day, tells a most unconventional life story. It begins with a North Carolina childhood filled with speech-therapy classes ("There was the lisp, of course, but more troubling than that was my voice itself, with its excitable tone and high, girlish pitch") and unwanted guitar lessons taught by a midget. From budding performance artist ("the only crimp in my plan was that I seemed to have no talent whatsoever") to "clearly unqualified" writing teacher in Chicago, Sedaris's career leads him to New York (the sky's-the-limit field of furniture moving) and eventually, of all places, France.
Sedaris's move to Paris poses a number of challenges, chief among them his inability to speak the language. Arriving a "spooky man-child" capable of communicating only through nouns, he undertakes language instruction that leads him ever deeper into cultural confusion. Whether describint the Easter Bunny to puzzled classmates, savoring movies in translation (It Is Necessary to Save the Soldier Ryan), or watching a group of men play soccer with a cow, Sedaris brings a view and a voice like no other--"Original, acid, and wild," said the Los Angeles Times--to every unforgettable encounter.
--jacket
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i think of myself as your standard sedaris fan, but outside of the occasional chuckle, i couldn't help but constantly consider how apathetic i felt toward every story in this book.
When you make your living writing books of essays, usually prominently featuring your childhood, you're definitely liable to accusations that your treatment of the truth is...flexible, which is something David Sedaris knows all too well. Me Talk Pretty Some Day is the first of his books I've ever read, and I have to admit, some of the pieces it contains do strike me as a little too good to be exactly, totally true. The book is separated into two parts: the first focusing on his early life, mostly his childhood with his family, and the second focusing on his adult life, mostly the portions in which he lived in France with his boyfriend. He didn't speak French before he spent time there, and his frustrating attempts to learn the language are a major through-line of the back half of the book.
As in any essay collection, there are hits and misses. For me, personally, there were many more of the former than the latter here. Humor in books is a tricky thing...even if I find something funny, the most it usually provokes is a smile. An out-and-out laugh is a rare thing, but Sedaris managed to get a few good chuckles out of me (including while I was reading it on an airplane, which made me seem A+ sane I'm sure). “A Shiner Like A Diamond” (about David's sister Amy freaking out their father by wearing the bottom half of a fat suit on a trip home) and “Make That A Double” (about Ugly Americans refusing to even try speaking French, and the weirdness of learning to speak a language with gendered nouns) were particular highlights for me, but most of the pieces were decent to good, in large part because they weren't ever boring.
And that's where we get into the truth-telling. These are funny stories, based in fact. But are they true? There's been more than one examination into the accuracy of the stories Sedaris tells, concluding that at least some of them are significantly embellished. So if they aren't really all that true, sometimes, does it really matter? For me, I guess the answer is that it depends. For these kinds of books (memoir-ish essays, usually humorous or meant to be), I'm generally proceeding under the idea that there might be some minor tweaks, usually to fill in dialogue or some of the finer details. But it seems like some of these stories in this book (particularly the one about the guitar teacher) are more than just slightly spruced up. And that's a little more bothersome. Part of the reason some of these stories are so funny isn't just because they recount humorous situations, but because those situations are supposed to have been real. If they're not actually real...I feel like there should be some sort of acknowledgement that these stories are based in fact but might have been dazzled up to tell a better story, maybe?
That probably sounds more negative than I intend it. At the end of the day, even after I read about the likelihood that some of these stories weren't exactly real life, I did enjoy reading the book. And for me, that's what counts. I enjoyed it enough, honestly, that I'm likely to continue reading other David Sedaris books, because I like his writing. My husband tells me that this is his best collection, so I'm curious to read more and see if I agree with him. I'd recommend Me Talk Pretty One Day to anyone looking for a mood-lifter (especially if you, too, have suffered through the indignity of learning a foreign language).
Read for my 2017 Book Bingo square, “A collection of essays.”
Sedaris delivers a delightful, humorous collection of short essays that follow his years of life. The writing style, which, unfortunately, includes quite a bit of cuss words, is humorous, light and yet, meaningful and satisfying.
This was my first collection of essays and, while I enjoyed it, I wanted more. I didn't want the stories to end or I wanted to know more about a certain situation. I enjoyed the author's thoughts concerning certain life events, but I wanted more.
This was a great read and quite funny. There were definitely “laugh out loud” moments throughout.