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Average rating4.7
A National Book Critics Circle finalist • One of People's top 10 books of 2021 • An instant New York Times bestseller • Named a best book of the year by NPR and Time A magnificent biography of one of the most protean creative forces in American entertainment history, a life of dazzling highs and vertiginous plunges—some of the worst largely unknown until now—by the acclaimed author of Pictures at a Revolution and Five Came Back Mike Nichols burst onto the scene as a wunderkind: while still in his twenties, he was half of a hit improv duo with Elaine May that was the talk of the country. Next he directed four consecutive hit plays, won back-to-back Tonys, ushered in a new era of Hollywood moviemaking with Who's Afraid of Virginia Woolf?, and followed it with The Graduate, which won him an Oscar and became the third-highest-grossing movie ever. At thirty-five, he lived in a three-story Central Park West penthouse, drove a Rolls-Royce, collected Arabian horses, and counted Jacqueline Kennedy, Elizabeth Taylor, Leonard Bernstein, and Richard Avedon as friends. Where he arrived is even more astonishing given where he had begun: born Igor Peschkowsky to a Jewish couple in Berlin in 1931, he was sent along with his younger brother to America on a ship in 1939. The young immigrant boy caught very few breaks. He was bullied and ostracized--an allergic reaction had rendered him permanently hairless--and his father died when he was just twelve, leaving his mother alone and overwhelmed. The gulf between these two sets of facts explains a great deal about Nichols's transformation from lonely outsider to the center of more than one cultural universe--the acute powers of observation that first made him famous; the nourishment he drew from his creative partnerships, most enduringly with May; his unquenchable drive; his hunger for security and status; and the depressions and self-medications that brought him to terrible lows. It would take decades for him to come to grips with his demons. In an incomparable portrait that follows Nichols from Berlin to New York to Chicago to Hollywood, Mark Harris explores, with brilliantly vivid detail and insight, the life, work, struggle, and passion of an artist and man in constant motion. Among the 250 people Harris interviewed: Elaine May, Meryl Streep, Stephen Sondheim, Robert Redford, Glenn Close, Tom Hanks, Candice Bergen, Emma Thompson, Annette Bening, Natalie Portman, Julia Roberts, Lorne Michaels, and Gloria Steinem. Mark Harris gives an intimate and evenhanded accounting of success and failure alike; the portrait is not always flattering, but its ultimate impact is to present the full story of one of the most richly interesting, complicated, and consequential figures the worlds of theater and motion pictures have ever seen. It is a triumph of the biographer's art.
Reviews with the most likes.
The definitive biography of a very interesting life. The book tails off toward the end - his later work gets a fraction of the attention of his first three films. However, we get a lot more backstory on his little discussed 70's work (Day of the Dolphin, The Fortune, the various Broadway shows) and a better perspective that the 70's were not a completely wasted decade from a creative standpoint. There was a lot of new information here - his secret work on Annie, which could have been the most profitable thing he ever did, was new to me. I enjoyed Mr. Harris' last book - Pictures at a Revolution - and a lot of his thoughtful discussion regarding The Graduate rightfully ends up in this book. I barely put this book down over the course of a week, and I promptly went out and starting watching his movies. Recommended.
Couldn't stop reading, incredibly informative and enjoyable.
Mark Harris' MIKE NICHOLS: A LIFE is a rich, beautifully assembled portrait of an artist through the lens of his career and process, and it stands out for being an incredibly fun read. Nichols seems to have been a complex subject about whom to write because there is a clear fracturing of his personality between the smart, droll public persona he affected (which I love) and the artist whose emotional life was cracked open by the process of making theater and films (which I also love). His ability to process the text of a story through performance and staging underscores his inability to deeply analyze his own life; his addictions, relationships, his childhood, himself. Still, Harris gives the sense that there is something in the act of making comedy and drama that released what was inside of Nichols and. as someone who shares that impulse– I am always opened up somehow when the lights go down in a theater or cinema– I found the tension between Nichols' public/creative/inner selves incredibly moving and perfectly conveyed in the book. I was also fascinated by his complex relationship with Elaine May, another hero of mine, and the unique energy between the two of them (she absolutely demands her own book!)... I will 100% be re-visiting his filmography; I already love it, but now feel a much deeper connection to his work. On top of it all, the book is laugh out loud funny (so many absolute mic drops!), dishy, knows which details matter and when to move on (a masterclass in biographical pacing) and is a joy to read. Enjoy!