Ratings7
Average rating3.9
Clarice Lispector's sensational, prize-winning debut novel Near to the Wild Heart was published when she was just twenty-three and earned her the name 'Hurricane Clarice'. It tells the story of Joana, from her wild, creative childhood, as the 'little egg' who writes poems for her father, through her marriage to the faithless Otávio and on to her decision to make her own way in the world. As Joana, endlessly mutable, moves through different emotional states, different inner lives and different truths, this impressionistic, dreamlike and fiercely intelligent novel asks if any of us ever really know who we are. Clarice Lispector was a Brazilian novelist and short story writer. Her innovation in fiction brought her international renown. References to her literary work pervade the music and literature of Brazil and Latin America. She was born in the Ukraine in 1920, but in the aftermath of World War I and the Russian Civil War, the family fled to Romania and eventually sailed to Brazil. In 1933, Clarice Lispector encountered Hermann Hesse's Steppenwolf, which convinced her that she was meant to write. She published her first novel, Near to the Wildheart in 1943 when she was just twenty-three, and the next year was awarded the Graça Aranha Prize for the best first novel. Many felt she had given Brazillian literature a unique voice in the larger context of Portuguese literature. After living variously in Italy, the UK, Switzerland and the US, in 1959, Lispector with her children returned to Brazil where she wrote her most influential novels including The Passion According to G.H. She died in 1977, shortly after the publication of her final novel, The Hour of the Star.
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There are parts in this book that really made me gasp. Given the author's young age at the time of Wild Heart's publication (23) it really is an astonishing achievement, and it's unlike anything I'd ever read.
And yet, reading it often felt like a chore. The protagonist, Joana, was exhausting in a way that a severe alexithymic is exhausting. It was like observing and interpreting a person constantly observing and interpreting herself.
Still though, it really made me want to read Lispector's later works. For a debut work this is amazingly good.
Bad is not living, and that's all. Dying is something else. Dying is different to good and bad.”
A wild ride in the mind of young Joana who's intense introspection brandishes her to a life somewhere between a metaphysics philosopher and a mentally tormented. She feels intensely and then not enough, she questions everything and delights and despairs in acknowledging her ignorance, while her mind detaches herself from the people around her.
I liked the first half of the book a lot more than the second. Discovering Joana's wondrous way of thinking while she navigates coming-of-age, was intriguing to read. It had these beautiful moments of pause, of intense mindfulness, of intense sensations. But in the second half, which was more of the same with grown-up Joana, reading her mind's ruminations got a bit more tedious, and I kept wanting the book to end.
I find it hard to read/judge the book without the context of its age and place within the literary world in mind. I very much appreciate the book, but maybe one has to read all revolutionary, introspective, stream-of-consciousness novels at a certain point in one's life :)