Ratings126
Average rating3.6
Zelazny's writing is front and center in Nine Princes in Amber. There is a frankness and abrupt sentence structure that is partially refreshing and wholly dull. However, the potential refreshment is shattered as the writing style is supplemented with constant summations of events that could be exciting or emotional. The protagonist having his eyes burnt out and spending three years in prison takes twenty pages, three of which detail his sleeping patterns. Nothing is described with more than a single adjective, and it is more than not a color or size. The recruitment of literally hundreds of thousands of “red and tall guys” and “short and furry guys” is not talked about at all, yet both military groups fight loyally to the death. It might be interesting to here how this happened! Are there more races? How did Corwin find these races to recruit them? What did he say? There are so many questions that are completely ignored if they don't seem to progress the main plot in Zelazny's mind. At times, it seems like bad fantasy and bad writing.
Points must be given to the creative plot, which is both unique and intriguing especially towards the end. But this is mostly due to an amnesia gimmick in the beginning, an obstacle the hinders the reader far more than the protagonist. During this forgetful phase, the main character is somehow able to quickly get information without arising any suspicion, unbelievably conducting conversations like a frustratingly vague super sleuth. This lasts in every conversation until 67% in the book.
The book could be a singular diamond in the rough, but it's a 1/2 carat diamond in a mountain of rough– rough writing, pacing, dialogue, and a lack of any character development.
I would skip this book, although I can't say if it's worth plowing through for the sequels.