Ratings86
Average rating3.8
The narrator's world in the first part of this book is dominated by “The Portal,” a social media platform where people get their news and spend time interacting with others. The portal is a kind of parallel society with its own standards of behavior, of what is funny or interesting or appropriate. The narrator is a sort of expert or representative resident of the portal who is in demand around the world for her talks about the world of the portal. I labeled this book Dystopia because of the portal, where the things people say and do are harsh, crass, loud, nonsensical–and where harshness, crassness, loudness, and nonsensicality seem to be encouraged and applauded. There is also reference to a dictator and authoritarian policies recently enacted that may sound familiar to people who have lived through the 2017-2021 Trump administration.
Midway through the book, a change occurs. The narrator steps back from the portal and becomes more connected to people. The harshness of language and behavior recedes in the presence of some harsh reality. I have to admit I felt MUCH more sympathetic to the narrator in this part of the book.
No One is Talking About This is written in brief, disconnected paragraphs–a little long for most social media platforms, but short for a novel. Sometimes the paragraphs flow together and sometimes they don't. Sometimes the paragraphs are opaque and sometimes they are highly accessible. There are beautiful sentences and sensitive observations all the way through. The style makes it easy to read the book quickly, so whether you love it or not, it won't take long to read. I didn't love it, though I appreciated Patricia Lockwood's ability to make the portal into such a hellscape that I thought seriously about closing my social media accounts.