One corpse too many
Ratings13
Average rating4
15
Ratings13
Average rating4
The year is 1138. King Stephen and his cousin the Empress Maud are caught in a bitter struggle for the British crown. When Stephen finally captures the castle of Shrewsbury, one of Maud's few remaining hold-outs, his victory is a bloody one. Ninety-four prisoners, the surviving defenders of the Empress's castle, are taken.
And ninety-four are hanged.
Brother Cadfael of the nearby Abbey of St. Peter and St. Paul is called upon to give a decent burial to the dead. But before they can reach their final resting place, Cadfael discovers an extra corpse. This is no soldier- the ninety-fifth body is that of a youth, killed by a knife to his pale young throat.
An amateur detective with no small share of courage, Cadfael is determined to identify the young man- and his murderer. For help he has a lovely young fugitive with her won supply of bravery, and together they set out to solve this charming and suspenseful mystery.
"You'll love Brother Cadfael, wily veteran of the Crusades....this was England before the age of tea and crumpets."
*Los Angeles Times Book Review*
--Taken directly off the back of the 1990 American version of the book
Reviews with the most likes.
Medieval Mystery Masterpiece: A Riveting Tale of Murder and Intrigue
Ellis Peters' “One Corpse Too Many,” the second installment in the Brother Cadfael Chronicles, is a captivating historical mystery set in 12th-century England. Against the backdrop of civil war between King Stephen and Empress Maud, Brother Cadfael, a Benedictine monk with a keen eye for investigation, finds himself entangled in a perplexing murder case. Peters, renowned for her meticulous historical research and engaging storytelling, delivers a rich tapestry of medieval life interwoven with a clever whodunit.
At the heart of the novel is Brother Cadfael, a Welsh ex-crusader turned monk, whose worldly experience and sharp intellect make him an unlikely but effective detective. Peters crafts Cadfael with depth and nuance, balancing his devotion to God with his passion for justice and truth. The supporting cast is equally well-drawn, from the headstrong Hugh Beringar to the mysterious young Godith. Each character feels authentic to the period while remaining relatable to modern readers. The relationships between characters are particularly well-developed, especially the burgeoning friendship between Cadfael and Hugh, which adds layers of complexity to the narrative.
The plot unfolds at a measured pace, mirroring the deliberate nature of medieval life while maintaining enough tension to keep readers engaged. Peters expertly weaves historical events with fictional intrigue, using the siege of Shrewsbury Castle as a catalyst for the central mystery. The discovery of an extra corpse among the executed rebels sets the stage for a twisting investigation that keeps readers guessing until the end. While some may find the pacing slower than modern thrillers, it allows for rich world-building and character development. The story's momentum builds steadily, with well-timed revelations and subtle clues that reward attentive readers.
Peters' prose is a masterclass in balancing historical authenticity with readability. Her descriptions of medieval Shrewsbury are vivid and immersive, transporting readers to a world of stone abbeys, muddy streets, and torch-lit chambers. The dialogue, while flavored with period-appropriate terms, remains accessible and often sparkles with wit. Particularly notable is Peters' ability to seamlessly integrate historical details into the narrative without resorting to dry exposition. Her use of sensory details brings the medieval setting to life, from the scent of herbs in Cadfael's workshop to the clangor of arms during battle scenes.
At its core, “One Corpse Too Many” explores themes of justice, loyalty, and the conflict between duty and personal conscience. Peters deftly examines how individuals navigate moral ambiguities in times of war and political upheaval. The book also touches on the role of faith in medieval society, presenting a nuanced view of monastic life and the church's influence. The author's treatment of these themes is subtle yet profound, inviting readers to consider the complexities of morality in a world very different from our own.
As a reader, I found myself thoroughly engrossed in the world Peters created. The blend of historical detail and mystery kept me intellectually engaged, while the characters' personal struggles added emotional depth to the story. Cadfael's compassion and wisdom, tempered by his practical nature, make him a uniquely appealing protagonist. One moment that particularly resonated with me was Cadfael's reflection on the value of each life, regardless of social station – a poignant reminder of our shared humanity that transcends the centuries.
I wholeheartedly recommend “One Corpse Too Many” to fans of historical fiction and mystery alike. It's especially well-suited for readers who enjoy immersive period settings, character-driven narratives, and mysteries that challenge the mind rather than relying on shock value. While the book can be enjoyed as a standalone novel, it may inspire readers to explore the entire Brother Cadfael series.
“One Corpse Too Many” is a sterling example of historical mystery done right. Ellis Peters' meticulous research, compelling characters, and intricate plotting come together to create a reading experience that is both entertaining and enlightening. It offers a window into a fascinating period of history while delivering a satisfying mystery that will keep you guessing until the final pages.
Featured Series
19 primary books23 released booksChronicles of Brother Cadfael is a 23-book series with 19 primary works first released in 1920 with contributions by Ellis Peters and Rob Talbot.
