Ratings211
Average rating4.1
The classic Gothic suspense novel by Daphne du Maurier -- winner of the Anthony Award for Best Novel of the Century -- is now a Netflix film starring Lily James and Armie Hammer. Last night I dreamt I went to Manderley again . . . The novel begins in Monte Carlo, where our heroine is swept off her feet by the dashing widower Maxim de Winter and his sudden proposal of marriage. Orphaned and working as a lady's maid, she can barely believe her luck. It is only when they arrive at his massive country estate that she realizes how large a shadow his late wife will cast over their lives--presenting her with a lingering evil that threatens to destroy their marriage from beyond the grave. "Daphne du Maurier created a scale by which modern women can measure their feelings." --Stephen King
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“If only there could be an invention that bottled up a memory, like scent. And it never faded, and it never got stale. And then, when one wanted it, the bottle could be uncorked, and it would be like living the moment all over again.”
Why did it take me so long to pick this up?
Very addictive book, I read almost all of it one sitting (I had previously gone through only the first chapter). I was close to giving it 5 stars, but it wasn't quite there for me though. Overaall it was suspenseful story. Not as creepy/dark as I was expecting it to be, so I was a little disappointed there. Nevertheless, I still savored it.
I also enjoyed the characters despite the fact that they're all such terrible people, including Mrs. de Winter, the second, dear God, what-a-doormat. Fun to read about though. This is what I call unlikable characters done right.
I wish I had buddy read this. It's one on those books that provides plenty material for debates. The ending made me realize the parallels Jane Eyre which ignited in me the desire to read it again.
What a beautiful and riveting book.
This book starts off almost like an homage to the classic “ex-partner” emotional baggage that many of us have experienced before in our lives. The feeling when you've just gone serious with someone special, but everyone around them seems to only look at you just to compare you with their previous long-term partner. The feeling of never being able to live up to expectations and that you're not welcome in your new partner's life. It ambles along slowly and I took about 5 days to get up to the halfway mark.
Today, when I finally got up to about halfway and a major event happens (Mrs. Danver's bitchiness at the fancy dress ball), I had an inkling that things were coming to a head. And, boy, was I right. The second half of the book simply flew by and I refused to do anything else but sit and finish it. If the first half of the book read like a slow and abstract stroll through a patch of woods that you can't decide was more sorrowful, beautiful, or sinister, the second half of the book is when you realise you're not in Kansas anymore.
I've never read a book that feels as steeped in that feeling of being an imposter as Daphne DuMarier's Rebecca. Our heroine is a never-named middle-class young English woman, in her early 20s, who's earning her living as a traveling companion to an crude older woman. On a stop in Monaco, she meets Maxim deWinter, who her employer is all too happy to repeat gossip about and try to kiss up to: he's the owner of the famous and magnificent country estate of Manderly, and his beautiful, stylish wife Rebecca recently died tragically. The young lady and Maxim have a whirlwind courtship, and before she knows it, she's married and honeymooned and off to her new home and new life as the mistress of a great house.
But when they get to Manderly, things go quickly south. Being middle-class, she's barely been in a place like this, and hasn't the slightest idea how to make it her own. Her husband is suddenly distant and moody. Her only real friend is the spaniel dog that she takes her walks with. The head housekeeper, Mrs. Danvers, all but openly sneers at her and constantly reminds her that she's not anything like the charming and passionate Rebecca. And it's not just Mrs. Danvers...even the locals she goes to visit tell her over and over again how exciting things were when Rebecca was around, how beautiful she was, how delightful. The shy, quiet second Mrs. deWinter begins to despair of ever being good enough for the role she's been handed, and is talked into putting on a costume ball (like the ones Rebecca used to have!) that changes everything.
If you've ever heard about super fast marriages Back In The Day and wondered if people even really knew each other when they go married, Rebecca answers that question with a resounding no. A major part of the drama comes from the fact that the young wife can't understand why Maxim married her and is afraid to share her fears and feelings of inadequacy because, well, she barely knows him. She tortures herself by imagining that he's constantly comparing her to Rebecca, and she's sure she comes up short. She can't even hide from the imposter syndrome that's consuming her...the very place she lives reminds her of the ways in which she feels inadequate. This book is often billed as a gothic romance, and while the former is accurate, the latter isn't really, in my opinion: there's a marriage at the center of it, but not really a romance per se.
Instead, I'd call this a psychological suspense novel. We know from the beginning that the deWinters no longer live at Manderly, that something bad happened there. How exactly this happens unwinds over the course of the book, with the inner lives of the characters and their relationships with each other being driving the action. And the story is well-told and well-paced, but it's still a classic rather than a modern-day thriller, so while it's certainly gripping it's not really a page-turner that'll keep you up all night. And for me, that's preferable anyways. I really enjoyed reading it and plan to add more duMaurier to my list of books to read. I'd recommend Rebecca to just about anybody, it's a tightly crafted and engaging story that'll appeal to anyone who's ever felt like they were playacting at being a grown-up.
Oh this was so good. I completely understand why it's a classic, and wish I hadn't waited so long to read it. It's such a roller coaster of a story; I thought it was going to go a hundred different ways before the end. So well done.
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