Royal Assassin

Royal Assassin is one of the best that I've ever read. I didn't think that Hobb would be able to so decidedly top the already amazing Assassin's Apprentice, but here I am, basking in the fact that she made her previous work look almost amateurish in comparison. She's opened my eyes to parts of her books that I didn't even realize appealed to me, and doubled down on the aspects that I loved.

First things first, let's get the prose section out of the way. If you're at all familiar with Hobb's work, you'll know what you're getting with this. She doesn't do purple prose, but she does exceptionally well crafted prose that enriches the text at every step. Some of the lines that she drops into this book wracked me full of sobs because of the sheer power of the writing. Dialogue is also a massive strength of hers, every single character feeling like their dialect and delivery has been painstakingly considered. Of special note is the Fool, who's every line feels like it's been meticulously crafted to get your mind racing about the possible meaning behind his cryptic speech.

Then there's the story. First off, the court politics. They're so much better in this than they were in Assassin's Apprentice, since Fitz is so much more observant and alert, and finally begins to take a more proactive approach when it comes to involving himself in them. We actually get the opportunity to really see the man behind the curtain, and it's fantastic. But even then, Hobb uses this newfound agency and observant nature as a fog for the reader, blindsiding us with twists that are brilliantly crafted and that she practically screams at both us and Fitz, but neither notice because we don't have the experience the world required to see them. I found myself regularly blindsided by the twists the story took in regards to the court.

But that's only a small part of the whole, and of equal note in my opinion is her handling of the magic systems. If I was to complain in the first book, it would have been the underdevelopment of the magic system, but I was under no illusions that that would be the case for the rest of the series. In this book we have extended periods of time coming to grips with both the Wit and the Skill, and these are also used to give us broader of the characters that surround Fitz, both old and new. These have the potential to be one of the most interesting magic systems that I've ever encountered, and I'm so excited to see how they're expanded upon in Assassin's Quest.

I also really enjoyed how she did combat. If it's small brawls we get the whole thing with almost every detail, but if it's larger scale battles, we get the initial burst, and then a smash cut to the aftermath, the reasoning being that Fitz loses himself in the battle and his future self can't recall the nitty-gritty. I really enjoyed this way of doing large battles, since in some fantasy, the fights can begin to drag on after a while, so this method sates our appetite while not burning us out on the combat.

And then there's the characters. I could probably write a full essay on my love for the characters here, but I don't want this section to drag, so I'm gonna briefly touch on the standouts. But, before I do, I just want to say, there isn't a single character that I dislike in this book. There's ones I hate, but they're still solid characters when all is said and done.

Something that I really appreciated about the book was Hobb's ability to write off screen character arcs that work really well. For instance, Hands was a prick last book, and I didn't like him. But throughout the book, he undergoes a character arc in the background that completely transforms him to be a much more tolerable person, and we don't see the journey, just the slow transition of the character as Fitz notices him around the stable, and when finally we see an interaction with him, his arc has been completed, and it doesn't feel like whiplash from a sudden character shift.

For the characters we do see the arc for, Fitz has to be talked about. Fitz' journey throughout this entire book is one of the most cathartic, yet still painful, arcs that I've ever read. We finally see him begin to come into his own, while weathering painful setbacks and losses, and growing from each one. He's an incredibly well crafted character, and is honestly one of the bests PoVs in fantasy. I don't want to spoil too much of his journey, but this isn't the Fitz we once knew, who was placid and tried to fade into the background. His heritage plays a large part in his story now, coming to the forefront rather than being an insult to put him down.

Verity is a standout as well, as we finally get to know the reclusive King-in-waiting, destroying himself to save his kingdom. He's one of my favourite characters in the book, and steals every scene that he's in.

Burrich is just as good, if not better than he was in the prior book, and is just my favourite character in the series so far. His devotion to Fitz is beautifully written, and the pain that he carries with him is heart wrenching the few times he shows it. I adore him so much.

Then lastly, there's Regal. I hate Regal. He's an inhuman spiteful little shit. He makes Ramsay Snow look like a kitten in comparison. He is one of the most evil characters that I've ever read. He draws genuine fury out of me so often it's shocking. I have had to put the book down for a bit to calm down after he's done something. I'm desperately hoping to see a very brutal and drawn out end for him in the last book.

I've barely touched on the characters, but they're all phenomenal, and I don't know how Hobb nailed each one so perfectly. There's still Nighteyes, Molly, Patience, Kettricken, the Fool, Rosemary, Chade, the list just goes on and on, and it's great. Just for the characters alone, you should read it.

The world is also expanded in staggering ways. We get more of the history, both political and mythological. But mainly, we get the current political climate shown to us, through Fitz' work as a kings man. We're introduced to new leaders, and get our first glimpses at what the raiders true motivations might be, whilst also being shown that not all Outislanders are scumbags. It's wonderfully executed, and as with Assassin's Apprentice, leaves me parched for more, since no amount will satiate my desire to see the wonders hidden in the world.

The only major thing that I can say might be an issue for people is the pacing. This book is slow as shit. I really appreciated that about, but I've been told before that I don't have the best gauge for what good pacing in a story is, since I can just sit there and read character moments ad nauseum if they're done well enough, which as I said before, they all are. That being said, the pacing won't be an issue for people until the middle of the book, since the beginning is actually really fast paced.

Overall, this was an absolutely perfect book in my opinion, and I'm gonna be recommending this to anyone who'll bother listening to me about it. 5/5 stars, but only because I can't give it more.