Ratings36
Average rating4.1
The “dazzling” and essential portrayal of 1960s America from the author of South and West and The Year of Magical Thinking (The New York Times). Capturing the tumultuous landscape of the United States, and in particular California, during a pivotal era of social change, the first work of nonfiction from one of American literature’s most distinctive prose stylists is a modern classic. In twenty razor-sharp essays that redefined the art of journalism, National Book Award–winning author Joan Didion reports on a society gripped by a deep generational divide, from the “misplaced children” dropping acid in San Francisco’s Haight-Ashbury district to Hollywood legend John Wayne filming his first picture after a bout with cancer. She paints indelible portraits of reclusive billionaire Howard Hughes and folk singer Joan Baez, “a personality before she was entirely a person,” and takes readers on eye-opening journeys to Death Valley, Hawaii, and Las Vegas, “the most extreme and allegorical of American settlements.” First published in 1968, Slouching Towards Bethlehem has been heralded by the New York Times Book Review as “a rare display of some of the best prose written today in this country” and named to Time magazine’s list of the one hundred best and most influential nonfiction books. It is the definitive account of a terrifying and transformative decade in American history whose discordant reverberations continue to sound a half-century later.
Reviews with the most likes.
Bothering hippies
interviewing white people
West Coast style smugness.
As amazing as Joan Didion is, I don't think this book has aged well, and I suspect I might have liked it better if I had read it two or three or four decades ago. As it is, it feels quaint, an artifact of modern journalistic history, and I was impatient for it to be over. It is possible that my frustration with the book was exacerbated by the horrible narration by Diane Keaton, but I don't think so.
Didion is no slouch herself; Didion can write. She shows her talent in these twenty short essays, first published in the mid-1960's. Clear writing. Crisp writing. Beautiful.
Some of the topics for her essays feel dated now, forty years later. That's okay; despite this, the essays were so well written that it did not matter that no one is terribly concerned with San Francisco and hippies any more.