Stars of Chaos: Sha Po Lang, Vol. 1

Oh, but this was so GOOD! This book reads as a LOT more complex than what I remember of MDZS. For one, the worldbuilding is MUCH more thorough than the world of MDZS, which had enough details in it to build a sense of what it???s like in the reader???s head, but certainly not to the same detail as this book. While it???s set in a fictional China, this book goes beyond China???s borders to show its connection to fictional versions of Central Asia, Europe, and Japan. 
And in line with that expansion of the world, the plot and the themes expand as well. While this volume contains elements of mystery and court intrigue, the main bulk of the plot (in this volume anyway) is centered on the resource called violet gold (which reads like a stand-in for crude oil) and the ways Great Liang has attempted to secure its supply of the resource. Those methods include soft and hard controls of the market, but notably, it includes colonial subjugation of a region where the resource is most abundant. That latter bit makes for some interesting thoughts if one is a reader for whom such a theme is of interest, especially given how one character in particular states that, if it were up to them, they would go on a colonial-expansionist project in order to ensure the safety and stability of Great Liang. 
While all of those are weighty and complex topics, this series is still firmly in the danmei genre, as shown by the relationship between Gu Yun and Chang Geng, whose relationship is a bit more nuanced and complex in its portrayal than that between Lan Wangji and Wei Wuxian. There are plenty of silly moments, of course, and more than a few times I facepalmed (in a good way) at their dynamic, but while it???s clear that they are the main romantic couple of this series, their relationship is not as clear-cut as the main couple in MDSZ. 
Overall, this was an excellent read: a step up in terms of style, narrative, and thematic concerns compared to MDZS, while still remaining within the ambit danmei as a genre. I am not entirely sure if this difference is a result of the authors??? specific skills and styles, or if it is a result of their respective translators, but regardless, this volume certainly shows that priest is entirely capable of doing some very good worldbuilding while weaving a complex plot, as well as working with equally complex themes. I will definitely be keeping an eye out for the next volume, as well as for priest???s other works, because I think that her writing might just be the kind I really enjoy.