Strangers on a Train

The two men in “Strangers On A Train” are despicable people. One, a well-off psychopath who berates women, and the other is a brilliant yet insecure fella who lacks a few basic moral filters. Perhaps número dos is not too bad in the beginning, but time will tell as the novel chugs along. Does the dynamic fit a twisty murder plot? To me, the book has flashes of brilliance, but some of the melodrama and filler irked me quite a bit.

Guy and Bruno meet on a train. A few drinks are shared, and before long, Bruno lays out a perfect murder. Bruno will murder Guy's wife; he is on his way to divorce, and Guy will in turn murder Bruno's father. Does this sound like a foolproof idea to you?

If you can get past the ‘perfect' meetup and subsequent murder coercing, I think you might enjoy it a bit more than I did. The chapter describing the deed was an eerie look into the mind of a psychopath and included quite a bit of introspection. This, coupled with the extreme detail, really set the tone for the rest of the book. Sadly, it takes until about the last third to really ramp up again. The middle portion of the book is filled with too much melodrama and philosophical takes, which I usually enjoy, but it sort of plateaued for me. It is understandable that these characters would get caught up in these ramblings of crime, but it hits it over the head a bit too much. It all could have been compacted a bit more. The alcoholism, the blackouts, and the staunch remarks started to get pretty grating. Also, it never really hits that sense of Annie Wilkes type crazy, if you know what I mean. Maybe we are just a bit desensitized to these types of stories, but back when this was published, I'm sure it was eye-opening.

On the other hand, the writing is pretty great. I read that the movie iteration was directed by Hitchcock, and this makes perfect sense. The stalking chapter in particular had a Hitchcockian feel to it, so I can see why he would gravitate toward it. Oh! One more point. The murder in and of itself was pretty clever. Back then, it would have been almost impossible for authorities to catch on to how it was committed. There is some detective work that shows up in the last third or so, but the ‘gotcha' moments are pretty far-fetched and frankly uninteresting in my opinion. I can definitely see other writers being influenced by the interrogation scenes as well. Karen Slaughter comes to mind.

All in all, it had some amazing moments, but I feel like it could be trimmed up a bit. My advice would be to go into it not expecting a cat-and-mouse chase or an in-depth character story, just some tension surrounding a few blokes who devise a creative act of evil. A more sinister version of My Dinner with Andre, for example.