Ratings19
Average rating4.5
NEW YORK TIMES BESTSELLER • Multi-award-winning Hannah Gadsby broke comedy with her show Nanette when she declared that she was quitting stand-up. Now she takes us through the defining moments in her life that led to the creation of Nanette and her powerful decision to tell the truth—no matter the cost. “Hannah is a Promethean force, a revolutionary talent. This hilarious, touching, and sometimes tragic book is all about where her fires were lit.”—Emma Thompson ONE OF THE MOST ANTICIPATED BOOKS OF 2022—Entertainment Weekly, PopSugar “There is nothing stronger than a broken woman who has rebuilt herself,” Hannah Gadsby declared in her show Nanette, a scorching critique of the way society conducts public debates about marginalized communities. When it premiered on Netflix, it left audiences captivated by her blistering honesty and her singular ability to take them from rolling laughter to devastated silence. Ten Steps to Nanette continues Gadsby’s tradition of confounding expectations and norms, properly introducing us to one of the most explosive, formative voices of our time. Gadsby grew up as the youngest of five children in an isolated town in Tasmania, where homosexuality was illegal until 1997. She perceived her childhood as safe and “normal,” but as she gained an awareness of her burgeoning queerness, the outside world began to undermine the “vulnerably thin veneer” of her existence. After moving to mainland Australia and receiving a degree in art history, Gadsby found herself adrift, working itinerant jobs and enduring years of isolation punctuated by homophobic and sexual violence. At age twenty-seven, without a home or the ability to imagine her own future, she was urged by a friend to enter a stand-up competition. She won, and so began her career in comedy. Gadsby became well known for her self-deprecating, autobiographical humor that made her the butt of her own jokes. But in 2015, as Australia debated the legality of same-sex marriage, Gadsby started to question this mode of storytelling, beginning work on a show that would become “the most-talked-about, written-about, shared-about comedy act in years” (The New York Times). Harrowing and hilarious, Ten Steps to Nanette traces Gadsby’s growth as a queer person, to her ever-evolving relationship with comedy, and her struggle with late-in-life diagnoses of autism and ADHD, finally arriving at the backbone of Nanette: the renouncement of self-deprecation, the rejection of misogyny, and the moral significance of truth-telling.
Reviews with the most likes.
In a very similar kind of vibe to Hannah's point in Nanette, I just don't have space for queer autistic trauma right now.
Bravo, Hannah. Bra-flipping-vo.
I have never watched any of your comedy specials, but you can be sure that they are next in queue. (I had “discovered” you via John Mulaney's Everybody's in LA which led me to Hannah Gadsby's Oz which led me to your memoir situation...)
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Note to self: I believe this is the first time I've felt that somebody else has truly understood and been able to articulate the severe sound sensitivities I have lived with for my entire life. So many sounds aren't just annoyances, they are physically and mentally painful and at points downright excruciating.
Hannah Gadsby had a lot of strikes against her; she grew up queer (and deeply closeted), on the autism spectrum, and with undiagnosed ADHD in conservative, homophobic, closed-minded Tasmania, Australia. But Gadsby doesn't want your pity, she wants to explain how she created a ground-breaking Netflix special from the traumas she experienced (and the unconventional but genuine love she received from her parents and 4 older siblings). And then she pretty much wants all cishet white men to fuck off.
The book runs a little long (and never gets around to the fun stuff like how she met her wife), but it helped me understand what it's like to have an atypical brain and to experience the world very differently from normies. Gadsby's description of the creative process she uses in her comedy (or “comedy”) is enlightening. Sadly, reading about the virulent anti-queer attitudes and legislation that Tasmania and the rest of Australia experienced in the mid 1990s only magnifies the horror of what's happening now with queer rights at risk.
I think it helps to have seen Nanette to get the most out of this book. It's not necessary, but if you missed it when it made such a splash in 2018, you should definitely watch it. Whether on stage or on the page Gadsby tells her unique truth, and you can't walk away unscathed.
As gut-wrenchingly brilliant and cleverly constructed as the show, and then some. Her work has always had a profound impact on me and this was no different. Equal parts powerful, moving, heartbreaking and hilarious. I'd give it 6 stars if I could!