Ratings6
Average rating3.5
"A collection of searing and heart-wrenching stories by an anonymous North Korean writer who is still living in the country, The Accusation was secretly brought to South Korea in order to be published there and abroad. Seventeen publishers around the world are now preparing editions. This deeply moving and eye-opening literary work paints a powerful portrait of life under the North Korean regime. Set during the period of Kim Il-sung and Kim Jong-il's leadership, the seven stories that make up The Accusation give voice to the people living under this most bizarre and horrifying of dictatorships. The characters of these mesmerizing stories come from a wide variety of backgrounds, from a young mother living among the elite in Pyongyang whose son misbehaves during a political rally, to a former Communist war hero who is deeply disillusioned with the intrusion of the Party into everything he holds dear, to a husband and father who is denied a travel permit and sneaks onto a train in order to visit his critically ill mother. In one story a mother attempts to feed her husband during the worst years of North Korea's famine, and in another, a woman in a perilous situation meets the Dear Leader himself. As a whole, the stories offer a testimony of the horrors of the police state, the insidious power of the Party, and the broken ideology that underpins the crimes of the regime. The Accusation is a vivid depiction of life in a dictatorship, and also a hopeful testament to the humanity and rich internal life that persists even in such inhumane conditions."--Jacket.
Reviews with the most likes.
The first work of fiction to come out of North Korea - smuggled and written under the pseudonym Bandi which means firefly in Korean. It's translated by the Korean translator du jour Deborah Smith, she of The Vegetarian and Human Acts.
This is a collection of grim short stories and while it flies under the banner of fiction and certainly reads like some absurdist dystopia, you get the sense it is more lightly fictionalized reportage than imaginary fiction. It's a bleak portrayal of North Korea that shows how it breaks the strong, the proud and loyal. How it tears at families and sets citizens against each other while insisting on keeping up appearances at all costs.
There isn't a lot of nuance to these stories - they're more blunt instruments bludgeoning their points home. But maybe nuance is a luxury that has no place for the people living in North Korea.