The Children of Hurin by J.R.R. Tolkien

The ‘Great Tale’ of The Children of Hurin, set during the legendary time before The Lord of the Rings. Morgoth, the first Dark Lord, dwells in the vast fortress of Angband in the North; and within the shadow of the fear of Angband, and the war waged by Morgoth against the Elves, the fates of Turin and his sister Nienor will be tragically entwined. Their brief and passionate lives are dominated by the elemental hatred that Morgoth bears them as the children of Hurin, the man who dared to defy him to his face. Against them Morgoth sends his most formidable servant, Glaurung, a powerful spirit in the form of a huge wingless dragon of fire. Sardonic and mocking, Glaurung manipulates the fates of Turin and Nienor by lies of diabolic cunning and guile, in an attempt to fulfil the curse of Morgoth.

Children of Húrin is a tale compiled and told to us from some of Tolkien's extended writings. In this book Tolkien strives to emulate some of the myths that inspired much of his work. Here we predominantly follow Túrin, a figure from the First Age, who due to things outside of his control is cursed by the luciferian Morgthoth to suffer unto his death. Those familiar with Sigurd or Kulervo will quickly see the resemblance in the overall choices and trajectory this story takes. Túrin spends most of his time trying to avoid his doom, even taking the name Turambar or "Master of Doom" in a futile attempt to reclaim or take ownership of his fate. The more he tries to resist or avoid his fate the worse things get for him and those around him. Although if Túrin had believed his whole life that he was doomed from the start then his actions make a bit more sense. Often when we're told something as children whether good or bad it often follows us into adulthood, in this case turning this curse into a self fulfilling prophecy. This also goes to show how much our outlook can determine our fate. He starts off as an Aragorn like figure, with noble bearing and wisdom, taking solace within an elven kingdom and yet thru his actions and his untempered passions his life takes a very drastic turn. Although this tale mostly serves to fulfill Tolkien's love for European myth I think it slots in thematically with the rest of his Middle-Earth writings. Darkness prevails only when goodness is absent and it is up to each individual to kindle that within themselves if we wish to have a brighter tomorrow.

Overall i would recommend this to fans of mythology or those who want to explore some of Tolkien's extended writings on Middle-Earth but found the Silmarillion unappealing. The plot is fragmented giving it a loose or flimsy feeling which left me wishing Tolkien could've finished this great tale himself.

I feel like I was adift at sea with nothing insight but the horizons, 360.

97% names and places unrecognized, unable to visualize where these people were in Middle Earth. Maybe not there at all.. The remaining 3% known were dark places... and the ever-present Orcs.

The first chapter is incredibly like reading the Old Testament, which is how I described the Silmarillion after finishing it.

I'm really not sure who the intended audience for this book was - the style of it would be impenetrable for someone who's never read Tolkien before, and if you're already a fan, you most likely already know this story through its earlier appearances in the Unfinished Tales or the Silmarillion.

So, here we have the complete, tragic tale of Turin Turambor and his sister Nienor. Told in a style that mixes Grecian myth, biblical tale, and Shakespearean pomp. A good enough story, although there are times when you can tell it was unfinished prior to Tolkien's death.