Ratings19
Average rating4.2
Somewhere between quirky fantasy and gothic/medieval horror. Having hopped from the first to the fourth in this series, it's intriguing to see the evolution, or difference, in style, both in the writing and illustrations. First had a Roald Dahl/Shel Silverstein look, this one is darker, more detailed, woodcut-like sketches. I believe the first is billed as YA, and this one isn't, which the body horror alone would account for!
I loved the Booklings, all the book lore, and found the ending moving and fulfilling. The story got more violent and more tragic than I expected, but it was also an incredible adventure on a beloved theme.
Kudos to the English translator because a book so focused on words, and often making up new ones must have been a unique challenge to represent faithfully.
⚠️Similar to the first book in this series, still published nearly 20 years ago, it lacks sensitivity on a number of fronts: rampant fatphobia, pretty casual with mentions of suicide, depiction of one villain felt like a harmful stereotype, dispelling ‘bouts of mental illness' by shouting, yikes 😬