The Furthest Station
Ratings52
Average rating4
15
Ratings52
Average rating4
A Rivers of London novella, from Sunday Times Number One bestselling author Ben Aaronovitch. There's something going bump on the Metropolitan line and Sergeant Jaget Kumar knows exactly who to call. It's PC Peter Grant's speciality... Only it's more than going 'bump'. Traumatised travellers have been reporting strange encounters on their morning commute, with strangely dressed people trying to deliver an urgent message. Stranger still, despite calling the police themselves, within a few minutes the commuters have already forgotten the encounter - making the follow up interviews rather difficult. So with a little help from Abigail and Toby the ghost hunting dog, Peter and Jaget are heading out on a ghost hunting expedition. Because finding the ghost and deciphering their urgent message might just be a matter of life and death. Praise for the Rivers of London novels: 'Ben Aaronovitch has created a wonderful world full of mystery, magic and fantastic characters. I love being there more than the real London' NICK FROST 'As brilliant and funny as ever' THE SUN 'Charming, witty, exciting' THE INDEPENDENT 'An incredibly fast-moving magical joyride for grown-ups' THE TIMES Discover why this incredible series has sold over two million copies around the world. If you're a fan of Terry Pratchett or Douglas Adams - don't panic - you will love Ben Aaronovitch's imaginative, irreverent and all-round irresistible novels and novellas.
Reviews with the most likes.
Lots of ghosts, plenty of Abigail and some interesting developments in the Rivers culture. The bad guy gets caught a little too easily but all in all a very satisfying story
The blurb for this novella covers the basics: Peter investigates ghosts on the Underground and they lead him to an investigation of a more corporeal crime at the furthest reaches of the Metropolitan Line. The result is the usual mix of police procedural and magical fantasy, with an irreverent tone offset by the more serious nature of what may have happened once that's revealed in the second half.
It clearly fits into its slot in the series, but doesn't rely too much on previous continuity. The short length means that Abigail isn't front-and-centre very much, but she's clearly going to be playing a bigger role in later stories, and the grounds for that are being laid here. There's also a new character introduced who we'll doubtless see more of, even if he's a bit young to be doing much at this point. As a novella, it keeps zipping along, a short break between the full-length novels and perhaps with less of the darker side than some of those.
There are also brief in-character notes for the benefit of American readers; I can't speak for how much they'll really be needed but it's a nice touch.
This is the shortest novella in the series, so far, and it makes quite pleasant reading, giving the characters some more exercise and taking Abigail slightly further through her teens. It feels rather perfunctory and you could skip it without missing anything important; but, if you like the series as a whole, I don't see any particular reason to skip it.
Nervous readers can be reassured that nothing unpleasant happens to any of the regular characters in the course of it.
It features two events of some slight significance to the series: The young river god Chess appears, and (at the end of the story) Nightingale and Peter decide that it's time for Abigail to start learning magic at last—although it's in [b:Lies Sleeping|36534574|Lies Sleeping (Rivers of London, #7)|Ben Aaronovitch|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1517326409l/36534574._SY75_.jpg|58260751] that she actually starts.
The plot involves an unresolved mystery: A member of the public is kidnapped, and we never find out why.
Another terrific episode of the Peter Grant show, complete with plucky teenage sidekick and Toby the magical bloodhound, er, terrier.
Featured Series
9 primary books25 released booksRivers of London is a 25-book series with 9 primary works first released in 2001 with contributions by Ben Aaronovitch and Christine Blum.
