Ratings96
Average rating4.3
See my full review at The Emerald City Book Review. A copy was received for review purposes from the publisher. No other compensation was received, and all opinions expressed are my own.The Bear and the Nightingale was one of my favorite books of 2017, and just shy of one year later author Katherine Arden has produced a sequel – greatly pleasing those of us who are weary of waiting years for a follow-up book. And I'm glad to say that The Girl in the Tower is a worthy successor, showing no signs of a sophomore slump. A third book is already slated for August of 2018, which will no doubt bring the trilogy to a rousing conclusion.
Girl is a tauter and leaner book than Bear, with a more streamlined plot and fewer POV switches, but still with the atmospheric Russian setting steeped in both history and folklore that so enchanted me in the first book. What was built up over many chapters is now taken for granted in this second volume, with few new elements added, but characters and themes are extended and deepened. New readers will definitely want to start with book one, and not jump into the middle of the story, as they will miss half the pleasure of entering into Arden's half-realistic, half-mythological world. (And you might want to go get that book right now before reading the rest of this review, to avoid spoilers. If you like that one, I'm sure you'll want to continue straight on to the next.)
On the run from her remote village, where she's been branded as a witch by a malicious priest, Vasya encounters her long-lost brother Sasha and sister Olya and enters into a perilous deception that brings her into a treacherous world of shifting alliances. As she journeys to Moscow, powerful but vulnerable heart of her people's land, she must try to reconcile the old powers that still speak to her with the demands and prejudices of this urban world. An explosive climax brings secrets to light and sets the stage for further journeys.
I was especially glad that Vasya got to be reunited with her siblings, who disappeared from the action somewhat suddenly in the first book. Arden fruitfully explores the tensions between them, which arise from their very different upbringings and societal expectations, as well as Vasya's struggle to express herself in a world that represses and limits female power. Her relationship with the frost demon Morozko is also developed into a poignant Beauty-and-the-Beast story arc that yet resists falling into mere stereotype. And a wonderful new character is introduced in Vasya's niece, who, it seems, will play an even more important role in the third book.
I'm definitely looking forward to that one, and glad that we won't have a terribly long wait. In the meantime, if you enjoy the intersection of historical fiction and fantasy, this is a perfect winter treat for you.