The Girl Who Could Move Sh*t with Her Mind

This originally appeared at The Irresponsible Reader.
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Not unlike James Alan Gardner's All Those Explosions Were Someone Else's Fault from 2017, the title, The Girl Who Could Move Sh*t with Her Mind tells you all the important things about this book that you need to know before picking it up – although I think this book does a better job of following through with the tone of the title throughout the book. The voice, the attitude and the defining characteristic of the protagonist (at least as most people are concerned) is all right there. If the title turns you off, don't bother buying/borrowing this novel, you're going to hate the experience. The same goes for the first few pages – if you're not amused and/or intrigued by Teagan's personality and narration within the first chapter, just stop and go find something else. If you're amused and/or intrigued? You'll be in for a good time. If you're amused and intrigued? Well, my friend, settle back and enjoy.

Teagan Frost is our titular girl, and she...well can move sh...aving cream with her mind. She has psychokinetic abilities (not telekinetic, she's touchy about that distinction) – or pk, as she calls is. Teagan will slowly describe her abilities to us as she has opportunity – and eventually will spell out to someone where those abilities came from (surprisingly far from the beginning – which I appreciated). But for the initial plot all you need to know is what the title said.

She's part of a pseudo-governmental espionage team that acts a lot like judge and jury without bothering with the formalities. No one, or almost none of her team wants to be on it, but the shadow-y figure that calls the shots is forcing them all to be part of it (including Teagan – don't get the idea that she wants to be some pk wielding super-hero/secret agent – she wants to work in a kitchen somewhere until she's good enough to start her own restaurant). The rest of the team have various skills that prove handy in their tasks, but she's the only one has any kind of extra-ordinary abilities. Actually, as far as anyone knows, Teagan is the only person alive who can do what she does.

That is, until a dead body is discovered – and the victim could not have been killed by anyone but a psychokinetic. Naturally, there's a tie to both Teagan's teams recent activities and the location they were in the night before. The police are looking for them (not that they have an explanation for how the victim died, but they expect someone can), and some of the higher ups in the government want to take care of Teagan without worrying about due process (those who live by the sword and all) – and if that “take care” involves dissection or vivisection so they can figure out how her pk was given to her . . . well, who's to complain? Teagan doesn't have a lot of time to clear her name, but she's going to try. As are most of her associates – if she does down for this, they will to.

Time prevents me from talking about all the things I want to, but that should be enough to whet the ol' appetite. It's a fun book and not one you need to know much about first. There's a lot of action, plenty of snark, some violence, some banter, some mystery, some heartbreak. There's a very Cas Russel/Peri Reed feel to this book and this world. But something that feels entirely fresh at the same time. I'm not sure that's technically possible, but it seems it. So it can appeal both to fans of Cas and Peri, as well as those who didn't care for them/don't know who they are.

There's a lot of depth to the characters, a lot more than you'd expect – which is one of the great parts about this book. As you learn more and more about what's really going on around the murder victims the more you learn about Teagan and her team/found family (ditto for Teagan, actually). There are plots revolving around romance and friendship plots that are legitimately surprising – in a pleasant way, nice to see someone going the way Ford does, making the choices he makes for his characters. While I'm on the subject, it wasn't just in characterizations/relationships that Ford surprised me – he did it throughout. Even when I was saying “Well of course, __ was really doing ___, there's no other explanation” to myself, that was a heartbeat after I said, “What??!?! No, that can't be right!” I'm not saying I couldn't see anything coming, but the ratio of surprises to telegraphed moves comes out in Ford's favor.

There are a number of X-Men parallels, going on here – all of which would appeal to Teagan (some of which she mentions). Which is a nice touch. It's probably also something that deserves more space than I'm giving it – I'm stopping myself, because I think I could go a long way down this particular rabbit hole. I'd love to ask Ford about it.

Now, there's one character that I think Ford messed up – he's part of a government clean-up crew that comes to take Teagan into custody. For some reason, he hates Teagan with some sadistic vengeance, and isn't afraid to tell anyone that. It's senseless and motionlessness (yeah, I know sometimes people hate others for no reason – I can accept that in real life, I can't accept it in fiction. There has to be a reason). Which is strange, as little as we understand this jerk, we know the murderer and the individual prompting them to act. Technically, we know more about the killer than we do about Teagan for most of the book. Which just makes the clean-up guy even stranger.

I expect in future installments, we'll get an explanation for the hatred and I'll shut up. But not until then. Ford may be playing a long game here, but this is a short game world. Ford's set up a lot for future installments, really (you won't figure out just how much until the end – unless you're smarter than me, then maybe you'll see some of it coming) – but that doesn't stop this from being a wholly satisfying experience.

So much of the time when I've been reading lately I get wrapped up in evaluating a book (for good or ill), wondering why an author did this or that, and what that might mean for the book as a whole, what that might say about the writer, etc. There's nothing wrong with that – at all. But every now and then, it's nice to stop the critical thinking and just enjoy a book. I'm not saying I did that wholly (and my lengthy notes can testify to that) – but in a real sense I did. I got lost in Teagan's voice, the action, and wondering just how far the killer (and the individual pushing him to be one) would go, and who'd be lost in the process. I didn't worry about what I was going to write, but about what Jackson Ford had written. I appreciate that.

I think this is one that could be better on a second (and then maybe on the third) read, once you can take your time and not race to find out what happened, or be dazzled by Teagan's personality. If I'm wrong, and Ford's just razzle dazzle – well, you're left with a fun read with snappy prose and an more-entertaining-than-most protagonist/narrator. Either way, The Girl Who Could Move Sh*t with Her Mind is a book I recommend without a hint of hesitation (if you pass the simple tests from my first paragraph).

Disclaimer: I received this eARC from Orbit Books via NetGalley in exchange for this post – thanks to both for this.










✔ A book with a curse word in the title.

Jackson Ford's irreverent story The Girl Who Could Move Sht With Her Mind is as fun as the title suggests. Seriously, I laughed out loud a few times. My favorite protagonist type is snarky. I enjoy a good bit of snark and a well-placed quip. I also enjoy it when people lose their shit and are fed up with your antics, which is Teagan, in a nutshell. Teagan is a woman, put in ridiculous situation after ridiculous situation over 22 hours. Oh, she is also The Girl Who Can Move Sht With Her Mind. So the jobs she deals within this novel are... a bit out of the ordinary.
In the first chapter of the book Teagan is plummeting from the top of a skyscraper; she has ten seconds to live. Her Day gets worse from there.

Teagan is like most young women living in Los Angeles. She works a job she puts up with and has weird semi-sorta friendships with those she works. She also has an overbearing boss and big dreams.

All of these things are factually true.

Except that Teagan works for a clandestine operation founded by the government that uses her abilities, namely moving sht with her mind, to acquire information and stick it to the bad guys. Whomever the current bad guy is, though she never kills anyone. It is nothing like that, and she tries to do as much good as she can. Her weird relationships are with her coworkers, who have almost as strange backstories as she does. And her boss is a terrifying governmental agent and will put her in a cage if Teagan steps out of line. A literal cage. But she does have the big dreams of owning a restaurant and eating the best food. As you can probably tell, Teagan is a cool character. Very much an average person except for that one small thing. A long time ago, Teagan got tinkered with. Something extraordinary happened; she acquired the ability to move items with her mind. Nothing huge, she isn't moving buildings. But up to three hundred pounds and ten feet from her, Teagan can reach out and grasp inorganic objects with her mind. How or why is not important, she just can. She is an X-Men character who drinks a lot of coffee and swears a lot. “Superheroes in comics and in movies pull off that secret-identity shit all the time. But this isn't a movie, or a comic, and I am definitely not a superhero. Secret Identity? I can barely pull of the identity that I have. I won't do that to Nic. I won't put him in that situation.”As I mentioned, the story starts with a plummet off of a very tall building with a screaming coworker in her arms. Things have gone pear-shaped very quickly on a job, and the only thing Teagan could think to do was to throw them off the 82nd floor of a building and hope for the best. Her teammate has agoraphobia; this does not engender team unity between them. Most of her team considers her a strange liability. Especially the woman who is screaming in Teagan's arms because she believes she is about to die. They survive. But later, while Teagan is out getting some most excellent takeout, a dead body is found with a piece of rebar wrapped neatly around his neck. Using her powers in such a way is verboten. The murderer would have to be a person with telekinesis, and Teagan is the only person who has that? Right? Well, Teagan has 22 hours to find out who did it and prove her innocence, or it is back to government labs in Waco, Texas, for the rest of her days. “The state hadn't helped. The state - states plural, actually simply didn't care. He was bounced from office to office, and the trail ran cold within weeks.”There is a compelling sense of urgency in this novel. 22 Hours feels like we are living Teagan's experiences in real-time. That sense of urgency drives the plot beats from one moment to the next. It also causes Teagan to make poor choices because, at this point, Teagan is a woman at the end of her rope. She is out of telekinetic juice, out of coffee, and out of time. This story is told from the perspective of two people, mostly alternating chapter by chapter. We have Teagan, the main protagonist, and a harried good guy, and then we have Jake, the antagonist. Jake is, in most ways, a complete opposite of Teagan. They have similar backstories. Teagan was orphaned in her teens and was picked up by a government agency who then experimented on her for five years. Jake has power but never showed anyone. He was also orphaned, but at a much younger age. He bounced from home to home in the system until he aged out, stole a car, and left.Where Teagan has kindness in her heart, Jake feels damaged. It is sad in a way. It feels like Jake could have been a good person, had the circumstances been different, but he is missing that moral core that guides good choices. We occasionally see it when he questions his own decisions, “Wait I don't want to kill anyone...” But he pushes through that in a singular focus on his goals. In that, I liked that Jake wasn't a cookie-cutter character. He had more dimension to him than the typical bad guy. Their two stories swirl around each other for most of the book—their actions directly affecting each other, but never quite meeting until the story unfolds.Some of the best parts of this novel are the interactions that Teagan has with her coworkers. As much as the 22-hour time limit affects Teagan's future, it also very much affects the team as a whole. Her choices, and the information that she can find directly influences the rest of the coworkers' lives. This incentivizes them to help her as much as possible, even if she annoys the hell out of them. It isn't just Teagan who has a wild ride over the next 22-hours, it is Paul, Carlos, Annie, and Reggie who are going along with her. “...They tased me. After that they got smarter. Kept me dosed.”The Girl Who Could Move Sht With Her Mind is fun and silly. Teagan makes stupid choices and shows her naivete, but damn, is this an engaging story. Teagan's revelations over the 22 hours allowed her character to expand and be a bit more than just action. This growth is an essential and wise choice on the part of Jackson Ford. It made this story more than action and wise-cracking. It gave it some heart, some sorrow, and a little pluck.

This is the perfect kind of book to kick back with after a long day and enjoy it. I highly recommend this because we readers want some psychokinesis fun and to cheer a character on. Teagan kicked a lot of ass, even when she was getting her ass kicked, and I am looking forward to the next book.