Ratings16
Average rating4.1
NEW YORK TIMES BESTSELLER • A finger in a wedding cake is only the beginning in this deliciously shocking mystery featuring Flavia de Luce, “the world’s greatest adolescent British chemist/busybody/sleuth” (The Seattle Times). Although it is autumn in the small English town of Bishop’s Lacey, the chapel is decked with exotic flowers. Yes, Flavia de Luce’s sister Ophelia is at last getting hitched, like a mule to a wagon. “A church is a wonderful place for a wedding,” muses Flavia, “surrounded as it is by the legions of the dead, whose listening bones bear silent witness to every promise made at the altar.” Flavia is not your normal twelve-year-old girl. An expert in the chemical nature of poisons, she has solved many mysteries, sharpening her considerable detection skills to the point where she had little choice but to turn professional. So Flavia and dependable Dogger, estate gardener and sounding board extraordinaire, set up shop at the once-grand mansion of Buckshaw, eager to serve—not so simple an endeavor with her odious little moon-faced cousin, Undine, constantly underfoot. But Flavia and Dogger persevere. Little does she know that their first case will be extremely close to home, beginning with an unwelcome discovery in Ophelia’s wedding cake: a human finger. Praise for The Golden Tresses of the Dead “Delightful . . . The mysteries in Mr. Bradley’s books are engaging, but the real lure is Ms. de Luce, the irreverent youngster.”—The Wall Street Journal “A ghoulish question is at the heart of Bradley’s excellent tenth Flavia de Luce novel. . . . Bradley, who has few peers at combining fair-play clueing with humor and has fun mocking genre conventions, shows no sign of running out of ideas.”—Publishers Weekly (starred review)
Featured Series
11 primary books12 released booksFlavia de Luce is a 12-book series with 11 primary works first released in 2009 with contributions by Alan Bradley.
Reviews with the most likes.
I always burn through these books quickly then wish for more. I love the new formal role of Flavia and Dogger as partners solving crimes.
I always enjoy a visit in Flavia's world, although the plot was a bit convoluted this time. (And I don't know why the film she mentions is referred to as “That Hamilton Woman”, when in England it was released as “Lady Hamilton”.)