Ratings9
Average rating4.3
The truth must come out. In 1963, in a Siberian gulag, former nuclear specialist Valery Kolkhanov has mastered what it takes to survive: the right connections to the guards for access to food and cigarettes, the right pair of warm boots to avoid frostbite, and the right attitude toward the small pleasures of life. But on one ordinary day, all that changes: Valery's university mentor steps in and sweeps Valery from the frozen prison camp to a mysterious unnamed town hidden within a forest so damaged it looks like the trees have rusted from within. Here, Valery is Dr. Kolkhanov once more, and he's expected to serve out his prison term studying the effect of radiation on local animals. But as Valery begins his work, he is struck by the questions his research raises: what, exactly, is being hidden from the thousands who live in the town? And if he keeps looking for answers, will he live to serve out his sentence? Based on real events in a surreal Soviet city, and told with bestselling author Natasha Pulley's inimitable style, The Half Life of Valery K is a sweeping historical adventure.
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A former nuclear scientist, imprisoned in a Siberian gulag, is transferred to a mysterious city where unknown levels of radiation are currently bombarding the unaware populace. It's not the most uplifting of scenarios, but Pulley tackles a dour topic with verve and a light touch.
The science-heavy narrative is very accessible and compelling and I was sucked into the “all is not as it seems” story. Valery, our main character, peels back the layers and layers of the mystery surrounding City 40 to reveal the conspiracy at its core. Once that's done, though, the narrative loses momentum, especially with the frequent flashbacks threaded throughout the book. This, plus a too tidy ending, kept this novel from reaching higher heights, but it was a compelling read nonetheless.
Whether or not this qualifies as speculative fiction is debatable, as it hews closer to historical fiction than anything in the SFF realm, but the lines of genre demarcation are often blurry, and who really cares? This is a solid book and I think SFF fans and non-SFF fans would like it all the same.
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