The Invention of Wings by Sue Monk Kidd

Hetty "Handful" Grimké, an urban slave in early nineteenth century Charleston, yearns for life beyond the suffocating walls that enclose her within the wealthy Grimké household. The Grimké's daughter, Sarah, has known from an early age she is meant to do something large in the world, but she is hemmed in by the limits imposed on women. On Sarah's eleventh birthday, she is given ownership of ten year old Handful, who is to be her handmaid. Over the next thirty-five years, both women strive for a life of their own, dramatically shaping each other's destinies and forming a complex relationship marked by guilt, defiance, estrangement and the uneasy ways of love. As the stories build to a riveting climax, Handful will endure loss and sorrow, finding courage and a sense of self in the process. Sarah will experience crushed hopes, betrayal, unrequited love, and ostracism before leaving Charleston to find her place alongside her fearless younger sister, Angelina, as one of the early pioneers in the abolition and women's rights movements.

This story follows Hetty, a young slave, and Sarah, from a wealthy family, starting on Sarah's 11th birthday, when she is given ownership of Hetty, through the next 35 years of their lives. The plot contains sexual situations and graphic violence.

Both audiobook narrators did a great job portraying their characters. I was interested by the notes at the end to learn the Grimke sisters were real, and felt rather let down by my own historical knowledge. I'd never read a SMK before, but I see the appeal.

The Invention of Wings is one of my PopSugar Reading Challenge books, for the prompt “A Book from a Celebrity Book Club.” It was Oprah's 3rd pick for Oprah's Book Club 2.0. Oprah interviewed Sue Monk Kidd in the January 2014 issue of O Magazine.

I can definitely see why Oprah was so affected by this book; the two main characters are Sarah Grimké, an early abolitionist and women's rights activist, and Hetty Handful, the slave gifted to her by her mother when she turned 11. In an afterword, Kidd explains that she did try to stay mostly historically accurate, and Handful was gifted to Sarah when she was 11, though she apparently died not long after. In Kidd's book, however, Handful survives. Sarah and her younger sister, Angelina, were real people, and really did most of what is ascribed to them in the book, though Kidd passes a couple of their deeds from one sister to the other. The Grimkés were from Charleston, South Carolina, and born into an aristocratic, slave-owning family headed by a prestigious judge. Their abolitionist actions get them exiled from Charleston and from their church. Meanwhile, Hetty, her ownership having returned to Sarah's mother, dreams of freedom and plots rebellions of her own.

I was a little wary going into this book; I've read a couple of Oprah's picks before, and generally found them dry and uninteresting. This one, though, was very well written. The voices of both women came through clearly, as did some of the brutality of slavery. Kidd also wrote The Secret Life of Bees, which got a lot of attention. If it's anything like this, I might have to finally read that as well.

You can find all my reviews at Goddess in the Stacks.

I loved the juxtaposition between the two characters–Sarah and Handful–who are both prisoners/slaves to the societal norms of the time: Handful being an actual slave in the American south and Sarah being held back with the expectations of being a women in the 1800's. While the narrative is slow for the most part, the events are most interesting. I have never heard of Sarah Grimke, the real-life abolitionist, so it was interesting to hear some of the events or the situations that Sarah experienced in order to change the world around her.

Easy read and enjoyable with insights of life during slavery.

Quotes:
“To remain silent in the face of evil is itself a form of evil.”

“Color prejudice is at the bottom of everything. If it's not fixed, the plight of the Negro will continue long after abolition.”

“Professor Julius Lester, which I kept propped on my desk: “History is not just facts and events. History is also a pain in the heart and we repeat history until we are able to make another's pain in the heart our own.”