The Last Romantics
2019 • 384 pages
Ratings10
Average rating3.4
15
Ratings10
Average rating3.4
From the New York Times–bestselling author of The House Girl comes a novel about our most precious and dangerous attachment: family In the spring of 1981, the young Skinner siblings—fierce Renee, dreamy Caroline, golden boy Joe and watchful Fiona—lose their father to a heart attack and their mother to a paralyzing depression, events that thrust them into a period they will later call “the Pause.” Caught between the predictable life they once led and an uncertain future that stretches before them, the siblings navigate the dangers and resentments of the Pause to emerge fiercely loyal and deeply connected. Two decades later, the Skinners find themselves again confronted with a family crisis that tests the strength of these bonds and forces them to question the life choices they’ve made and what, exactly, they will do for love. Narrated nearly a century later by the youngest sibling, the renowned poet Fiona Skinner, The Last Romantics spans a lifetime. It’s a story of sex and affection, sacrifice and selfishness, deeply held principles and dashed expectations, a lost engagement ring, a squandered baseball scholarship, unsupervised summers at the neighbourhood pond and an iconic book of love poems. But most of all it is the story of Renee, Caroline, Joe and Fiona: the ways they support each other, the ways they betray each other and the ways they knit back together bonds they have fractured. In the vein of Commonwealth, Little Fires Everywhere and The Nest, this is a panoramic, tenderly insightful novel about one devoted, imperfect family. The Last Romantics is an unforgettable exploration of the responsibilities we bear both gracefully and unwillingly, and the all-important, ever-complex definition of love.
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This lands somewhere between a beach read and more serious fiction; there were certainly some beautiful descriptive scenes, and it had a bit of that can't-put-it-down quality, but ultimately it's a pretty standard, sometimes slightly cliche tale of a family tragedy.
There are four Skinner siblings in Tara Conklin's The Last Romantics. Renee is the oldest, the responsible one. Caroline, the next oldest, is soft-hearted and traditional. Then Joe, the only boy, the gifted athlete, the apple of everyone's eye. And finally Fiona, the baby. The Skinners are a happy family until they're not: when their father dies in an accident, their mother Noni finds out that they're not as well off as she thought, and the loss of not only her husband but the life she thought she had achieved pitches her into a deep depression. They downsize, and Noni takes to her bed. Not for a week or two, or even a month on two, but for a couple years. The Skinner children are more or less left to raise themselves during what they come to call The Pause.
The seeds of what will become of them are planted during The Pause. Renee takes her responsibilities to take care of the others seriously, and becomes dedicated to achieving at a level that will keep anyone from guessing what's going on at home, setting her down a path towards becoming a doctor. Caroline falls in with a neighbor family, forming a bond with one of their boys that will deepen into romance and marriage. Joe's talent and good looks ensure that his outward needs are met, even if he struggles to process his trauma. And Fiona learns to observe, a skill that comes in handy as she becomes a writer and poet. Noni does recover, and the family seems more or less intact, but the damage that's been done can't be undone.
I was biased towards this one from the start: this kind of following-a-group-of-characters-over-time thing is something I absolutely love in a book. I tend to find that the books that stay with me the most are ones where character is first and foremost, and this book is all about character. The siblings and their relationships feel complicated and real. Though they all had moments of being their worst selves, their behaviors felt rooted in how their experiences, particularly during their childhoods, interacted with their innate personalities. I also appreciated that the book never felt the need to have there be a dramatic confrontation between the children and their mother...it generally leaned away from melodrama rather than leaning into it, and I think there are plenty of families that do just try their best to forget the bad moments and move on.
As much as I loved this book for the most part, there were some plot elements that kept me from considering it truly great. First was that The Pause could go on for multiple years without anyone really noticing. As much as Renee was able to serve in loco parentis to her younger siblings, there are things like doctor's visits and parent-teacher conferences and signing up for extracurriculars that seem like they could have been patched over for a while but not for as long as Conklin asked us to believe. And then there was the framing device, which featured a very elderly Fiona (in a world where global climate change has changed things for the worse) interacting with a young woman who might have a connection to the Skinners. This did strike me as a little too convenient and neat. On the whole, though, this is a lovely book about the bonds between siblings and would be perfect for a reader who loves well-realized characters. I very much enjoyed it and highly recommend it!
