The Library of the Dead

This was an intriguing hodgepodge of ideas and genres all smashed together. We have some kind of post apocalyptic Edinburgh, people who can commune with ghosts, disappearing kids and magic all colliding together into a fascinating mix.

The main character is a bit of a loveable rascal, who helps pay for her families bills by communing with the dead and providing a messenger service between them and the living. Through one of these ghosts she ends up getting tasked with finding a kid who has gone missing. Researching this leads her to the titular Library.

The story feels very different to typical urban fantasy that I have read - the familiar yet different setting lends both a comforting and discombobulating element. This ends up feeling very fresh! An intriguingly different read.

I frickin' loved this book, and I want the next one now.

It took me a couple of tries to get into it the story – mostly because I kept starting the audiobook as I was going to bed and didn't make it very far. (I'm very familiar with the first chapter now).

Ropa is a wonderful, badass, caring main character, and I want 20 more books about her.

The magic, ghosts, and other realms were fascinating, but they weren't the book's main focus. I'm looking forward to more of the worldbuilding in the next book! It may be the librarian in me, but I was slightly disappointed that they didn't spend more time in the library...

Audiobook Review: I think listening to the audiobook made the experience of the book 10 times better. Tinashe Warikandwa is absolutely perfect as Ropa. I will only listen to the audio version of this book and its sequels, I loved it so much.

Thank you to Netgalley and the publisher for providing this ARC in exchange for an honest review.

The Library of the Dead is the first of the Edinburgh Nights series by author T.L Huchu. The protagonist is the 14-year-old ghostalker named Ropa. She uses her skills to work as a messenger between dimensions passing messages for loved ones to assist in closure so a spirit can move on. She also does some banishing of the more dangerous creatures from our plane of existence.

It is a lot to expect from a 14-year-old kid. But what is remarkable about Ropa as a protagonist is that, yes, she is 14. However, she is tempered in the struggles of poverty and the seedier side of Edinburgh; this gives her an air of being 14 and so much older and wiser. She takes care of her blood and found family as best as she can while trying to right wrongs that you would think are above her paygrade.

The story starts with Ropa living in a caravan with her sister, Izwe, and her grandmother. She cares for her grandmother by helping pay bills so that her grandmother can get her monthly medicine. She also has a distant companionship with a fox named River. Although Ropa has dropped out of school, she still thirsts for knowledge, often quoting Sun Tzu as the story progresses. As I said, Ropa is no ordinary protagonist.

The Library of the Dead is stylized as The Sixth Sense meets Stranger Things. I think that is an apt description. Ropa can see dead things, hear them with the help of a mbira tuned to the spirit's frequencies. Ropa comes upon a spirit that needs help to find their missing son. This is where the investigative aspect of the story comes into play. Ropa sets out on a quest of a sort to find the missing boy taking her through all kinds of adventures, including tangling with a milkman and an occult library set on her enslavement.

“Something smells off in the barns. Even in this city of olfactory tragedy, this scent's more pungent and desperate than anything I've encountered before.”

The Library of the Dead is written in the first person with Ropa's voice. This can be offputting, I don't tend to connect well with stories told in the first person, but in the case of Ropa, author T.L Huchu gave Ropa such a strong voice that she did not get lost amongst the characters. She is highly likable, and you want her to win, plus the addition of Scottish slang and dialect added dimension to the character.

The setting is the streets of Edinburgh. It was strange as the story had a futuristic vibe, floating cars, but the roughness of poverty and extreme violence. It reminded me a bit of the setting of Blade Runner minus the robots.

“That's the thing about this learning stuff. No sooner have you picked one thing up before you're sent off after another book. Sometimes the guys I listen to say contradictory things and I have to choose for myself who's right and who's wrong. Other times they're both right and it makes no sense to pick one over the other, so you just have to be pragmatic: pick what works now and discard it for something else when the time comes. That's how I like to operate. Can't afford to put myself in some sort of ideological straitjacket. That's for losers.”

I liked this story. The vibes, the protagonist, and the setting had me interested from the start. Edinburgh is a place described as having many types of magic; some of it shows up in the novel, and some of it is because Edinburgh is an old city steeped in history. The alternative worlds that Hench describes are also engaging, places that are gravityless and full of demons. Library of the Dead is a dark and fast-paced novel that had me in the opening chapters. I can't wait for the next addition to the story.

I loved Ropa and her friends. We don't get a clear explanation how the world got the way it is, but I'm fine with that. I liked how much Ropa did to help her family and other vulnerable people.
The plot jumped around more than I expected. The magic system was a little confusing. The ending felt rushed. And there wasn't enough library in it. However, this is book 1, so a lot of that could be worked on in book 2.